From the First of November, 2017

Because sometimes it takes a whole month to write it down.

I type with hands that are redolent with garlic, onion, and freshly grated ginger. Today contains a chunk of time for cooking, with hearty stew for him, and Indian spinach rice, spicy, for her.

I walk and sit and rest and work with a heavy heart, weighted near equally with sadness over my cousin Philip’s sudden passing and with the aftermath of a terror attack in NYC. From both those stews, I pull the same saturated question: Is this the new normal, then? Will my peers, other cousins, friends, siblings, begin the dying times now? Is terror on the streets a new given in these not-so-united States?

This is not the self-portrait I want to create. This is the real and Wednesday me, though, as I slosh through to-dos with a heart that is stretched out from carrying big sacks of sad.

And yet, and yet. Perhaps my jiggly, overstretched atriums and ventricles have ever more room for loving, and accepting. Compassion for all beings, or as many as I can find my way towards/ forgiving and embracing and

that Voice, the one that doesn’t belong to me, the one I know I am a part of, soothes low and smooth with notes of

It will be OK. This, too, shall pass.

There is much work to be done here. Tikkun Olam, heal the world you got, baby, and it is good and honest work of heart to hands, heart to words

written
and spoken
and sung.

–Melinda Coppola

Autographing Autumn

I was walking, first field–
verdant, moist , glorious
carpet of greens,

and the woods edged closer,
with a beckoning trail,
and then the floor was pine needles,
punctuated with wily
old roots in no
pattern whatsoever.

Sky was rarified blue, bluer,
an artist’s glad canvas,
background perfection to

the leaves! Yellow and orange,
rusty brown, green,
pure gold, shimmering
against that ocean of sky.

A gradual descent
along the acceptably
man-made path ,
and then a turn revealed
more signs of us:

piles of stones and bits
of writing paper, a charm,
all left like an offering
atop a stump.

How interesting, humankind.

That we feel a need to sign everything,
as if
he, she, they, we
were in any way contributing artists,

as if we are desperate
to make ourselves known,
to say, in some small or grander way,
I am here.
I was here.

How is it that the leaves of oak and maple,
the chipmunks, the needles of pine,
are so willing to be here and then go,
in their time,

but we
who fancy ourselves smarter, more capable,
have so much difficulty
letting go?

–Melinda Coppola

 

 

 

 

BRIDGES

We are pausing on a bridge
over the dwindling stream
that crawls through our large,
local dollop of green, Bird Park,

because we always pause, she and I,
on every little bridge
that spans any river anywhere,

so she can look down
from first one side,
then the other,
at that liquid light
which is water in the daytime,

one of many rituals
that string our days and months
together
like a prayer flag.

I watch her watching water,
wondering if she notices
how much thinner the stream
than just last week,

and my ear goes towards the toddler
just arrived and
tumbling in the grass nearby,
which calls my gaze there, too.

The child laughs and spins
as her female loving presence-
Mother, Nanny—tosses a little pink ball.

Too quickly to stop,
ball is rolling into stream.
Just as fast,
the child’s laughter turns to wails,
improbably huge, garish sounds
from such a small body,

and my gaze shifts back to daughter,
who is now squinting,
now covering her ears,
turning away from bridge and water
and back towards the safety of the path
leading away from wailing child.

Now daughter is tense,
and each person, each dog we pass
might be a reason to become undone,
an insult to the tightly wound
system of nerves and cellular memories
ticking in linear, illogical time

and I think of all of us,
everywhere,
living with and without Autism,
carrying years of triggers,
a hundred reasons to become undone,

and how we are each,
at any given hour, maybe
a few breaths away from meltdown,

and the marvel is
how we hold it together,
or pretend to,
in a time when mass shootings
are just a few more storms
punctuating the news cycle,
and everything seems cracked,
precarious.

We find the safety of the car,
she and I,
and an hour later she is
singing in the market,
luscious bluesy notes
in perfect pitch,

and my own triggers recede,
and I think yes,
yes, this is how we go on.

This is how we’ll go on.

 

-Melinda Coppola

 

 

STONE LOVIN’

Dear reader, is there something in the natural world that you are really drawn to? Birds, clouds, pine trees? Lightening storms? Is there something for which you have an unrelenting affection? For, me, it’s stones. Specifically, I’m drawn to stones that hail from the edges of the sea.

I feel so very alive and content when I am walking on a stone strewn beach, or when I am crouching over them, admiring their myriad patterns and shapes, colors and textures. When I’m in communion with these rounded beauties, I have no age, no name, no agenda. I am not weighed down with layers of labels and hurry-ups and I’d-better-nots. The stones­­­­­­­—all colors, sizes, and shapes of them– touch a place deep inside me that feels like it’s been alive forever.  My relationship with them is simple and straightforward. I adore them, I respect them, I’m in awe of them. I also delight deeply and earnestly in my time with them, and…. I know them to be alive. They vibrate at a much slower rate than humans do, but they have life nonetheless.

I collect them, but only if they tell me they want to be gathered. My hands and eyes move towards the stones I am drawn to, and sometimes the vibration coming from a stone feels like a definitive NO, don’t take me. Not today. And so I don’t pick that one up, or if I already have I’ll place it gently back down with a silent thank you. Sometimes they are happy to be put into my bag or bucket, and other times it seems they are entirely neutral.

When I am on a beach that is home to stones, preferably in the early morning or late afternoon, I feel like I am surrounded by the most exquisite jewels the Earth has to offer. Who needs diamonds, when there are such gems as these, smoothed by time and water and wind and imbued with a wisdom I cannot adequately describe.

I have thousands of stones in my home and yard. When I have the time and feel the calling, I make art with them. Cairns, specifically—intentional stacks. Here again, the stones guide me in the process. Some want to go together, some are neutral. Some will make it quite clear they do not want to be placed on top of that rock, or in that cairn.

I used to just balance the stones, and I do have some cairns that live that way for a long time. About ten years ago, the thought of gluing them together came to me. I felt my way through that idea, and then brought it to the stones, not knowing how they would feel about being glued. Their radiated answer? Yes, glue is OK. A decade of our time seems to be like a few moments of theirs, and their languid vibrations do not react the way ours might. My deeper sense is that, if they are glued in a cairn and the time comes for them to be free again, the cairn will simply break apart.

My stone love brings me peace.  I’m grateful for their steady reminder that true strength and real balance can coexist in unlimited combinations of color, size and shape.

So, reader dear, what calls you out of doors, what helps you stay grounded when the ways of the peopled world feel oppressive or overwhelming? You can email me privately by replying to this blog, or you can leave a comment below or on Facebook. I do so love to hear from you.

Melinda Coppola

Of Two Minds, or Many

What if there’s no such thing as right side up?

 

Of Two Minds, or Many

When Left Brain speaks,
she is right on
about doing it
right or don’t do it
at all, do it
all right, do it
right now,
for all the right reasons.

Left Brain says I’ll whip you
into shape and that would be square,
four equal sides,
no curved lines,
nothing left over and nothing
to spare.

Right brain listens
before she speaks,
and after,
or doesn’t speak at all,
just listens, nods,
listens again.

Right could not care any less
about being true to her name.
She knows what’s left
after all the talking and listening,
after all the reasons and arguments,
what’s left is the raw, moist truth.

Right sings to left body,
coos and coaxes, makes suggestions:
Write with your non-dominant hand.
Pick up the paintbrush, charcoal,
Breathe out a poem before breakfast.

Chakra Theory says there is a meeting place,
a union of two minds,
found deep in the Ajna* forest
of your third eye, where the trees glow
an unearthly shade of indigo
and the birds, when they come,
beak out soundless songs
that make exquisite,
immediate sense.

It’s on my To Go list,
this mercurial destination,
and I know I’ll get there someday,
but right now, my Left says
a unified I
is on the no fly list,
and balance evades,
and all my selves seem content
to wander internal circles,
muttering niceties to each other,
and humming.

 

—Melinda Coppola

* Ajna is the Sanskrit name for the Sixth ( or brow) Chakra, home of inner knowing and intuition, where the energies of Yin and Yang meet

Welcome to Autismville

 

Shimmering minnow leaves

AUTISMVILLE

I can’t tell you
it is an unpleasant thing
to live in the quirky neighborhood,
on the far side of the river,
a good ways from the thickest part
of the frantic throng.

Here, we are daily looking up,
fixating and stimming
on green minnow leaves
that shimmer against the waters of the sky.

Here we have our own customs;
the daily waking song,
the recitation of dreams,
the morning questions and videotaped answer
for her to play back over and over,
the reassurances:
Yes, there will be snack. Yes, Mom is a girl.
Yes, there will be girl hair when we leave.

The life we’ve grown into,
first she and I and then he
who married into this confluence
of ordered disorder,
this life has authentic charm.

We go slow, we don’t try to measure up.
Our victories are sweeter
for how long they take to manifest
and mysterious
for how quickly they can disappear.

I can’t say it’s tragic in this virtual village,
this parallel universe
peopled with other singular folk
who understand the need for things
like space and processing time,
patience and velvet compassion,
smooth voices, soft dolls,
sweet routine and
more spice in everything.

We have magic here, I tell you.
Songs that play in color,
voices with texture,
folks who spin and swing and
hum and sing.

And the leaves! The glorious
minnow leaves,
dancing upstream,
between the clouds,
and laughing.

Melinda Coppola

 

Would you like to receive my posts by email? If so, use the sign up form to the right.

 

5/24/17

Today I celebrate my incarnation

Fifty six trips around the sun,
carrying a moniker
that took decades to like,
and I continue,
residing more,
or sometimes less,
inside this soft tent of skin
held up by strong bones
that shape this form
we keep agreeing to call me.

So much to marvel at,
a couple tens of thousands
of sleeps, of sunrises,
so many chances
to shake it off and begin again.

If I could line you up–
the ones who noticed,
and the ones who never did,
the ones who took me in,
or under a wing,

and those who laughed at me,
and those who laughed with me,
and those I loved but never told,
and those I didn’t love enough,

and those who knew I could
when I thought I could not,

and those who spoke truth
even when it shattered me,
and those who lied to me,
and those who betrayed me,

and those who were afraid of me,
and those who were afraid with me,
and those who lost hope,
and those who gave faith,
and those who questioned,
and those who accepted,
those who showed up
those who left without leaving a note,

those who explained themselves,
those who never tried,
and those who encouraged,
and those who could not,

if I could gather you all together
I’d go bowing through the crowd,
hands in loving mudra
thanking each of you
with my sentient heart,
for all of it.

As it is,
I ruminate
on how you helped me grow,
and how I hope
perhaps I helped you, too.

I kneel and praise a universe
that does this,
that keeps us
offering ourselves to each other
over and over,
as rough stones,

each encounter smoothing a jagged edge
through pleasure or pain,
returning us as pearls
to a larger sphere in need
of our perpetual adornment.

Melinda Coppola

Self Portrait

” We do not see things as they are. We see things as we are.” Anais Nin

AS SOUP: I am mostly hearty kitchen-sink vegetable bean. With each tasting I re-season myself; more salt, a dash of lemon juice or vinegar, a pinch of cumin, a snip of fresh mint. On occasion, I am decadence in a bowl; my inner creamy broccoli-cheddar self will show her sly smile, or my smooth and caloric parmesan-green bean let-it-all-hang-out side may bubble up to comfort and delight herself, and you if she’s in the mood.

AS STUFFED ANIMAL: I am a little ivory lamb, tucked away in a bedside drawer to avoid the cats and their greedy, nosy mouths and claws. I always know I’m in there, though, and that alone brings deep and wide delight.

AS BOOK: I am the quirky young heroine of a magical fantasy series set in a vast woodland. The plant spirits whisper and chide in a most amusing way. I slide from one adventure into another. My dear friends, the birds and the squirrels, the deer and the dark-eyed owls, are always nearby. They guide me, and sometimes I rescue them, mother them, sister them. My hair is wild as the tangled roots of the old oaks, my clothing, hand-me-downs from the brownies and fairies and fashionable mushroom elves. I sleep among the mosses and swim in the cheerful brook.

AS WEATHER: I am mercurial New England, Geminian, not content to stay the same too long. I am generous when sunny, and sullen when I rain. I pay no mind to the silly preferences of those that dwell within my borders. Why, if someone doesn’t like one of my mutable seasons, they can wait it out, or curl up in a ball and roll south to the more predictable climes.

AS POEM: I am free verse, unconventional and untethered to form. Black ink on ivory stock, predictable fonts and rectangular pages, these things bore and stifle my words and music, so I refuse to be bound by them. I am not afraid to rhyme/when the Muse tells me it’s time./ though I’ve been known to piss her off/by refusing.

I am mostly undiscovered, a written contradiction; quicksilver, slow on the uptake, a little tentative, rock n’ roll, then shy. I doubt I’ll ever be famous, but if I am an invitation to one soul to see one thing differently, then nothing is for naught.

AS HOUSE: I am old in the bones, wide-porched with the kind of lopsided charm that challenges: restore me, update me, uncover my shiplap, make me a color I’ve never been before but retain every odd angle and don’t f— with my leaded glass. I am not your flip, but oh! how I will serve and protect a family. I’ll open my doors each morning to gently push them out to work, to school, to a day of playing in the meadow. Each evening I’ll warm and welcome with my fieldstone hearth, and guard against nightmares and the cold. I’ll proudly display the children’s heights and dates penciled on the old doorframe in the pantry, and pose patiently for pictures through the lovely, languid years.

-Melinda Coppola

Alone, I am island

Photographer unknown.

I am an unpopulated island
in a teeming quicksilver sea.
I am a sturdy outcropping,
raw, rocky, ravaged
by two thousand years of volcanoes,
seismic shifts.
I am a testimony to the chaos
from which all life begins.

“We’ll smooth, says the ocean, it’s what we do—
soothe and smooth and
flatten your sharp edges, make nice
with all your singular points of upheaval.

Together we’ll make sand.
It will be soft between the toes
and the claws and the webs
of the two and four footed ones
that will someday want to walk your beaches.”

I am an island of resistance
in a placating sea. I will not crumble
under ocean’s incessant coax
towards making more of less,
or less of more.

I am an unpopulated island
in a sea of we-will-change-you.
I live, not to please or appease
a greening
groaning planet,

but to touch the very heavens
with my rocky peaks!
To push the clouds aside,
write my story, cursive
but not cursory,
in pointed stone
across the smooth blue sky.

–Melinda Coppola

Poet’s notes:  I am truly captivated by stories of people like Charles Baird, who lived for a year alone on an essentially unpopulated island off Alaska. I am introvert and dreamer enough to imagine a current of deep and wild joy that could fuel such an endeavor.

The Feather and the Leaf

 

Picture this: it was cold, and I stood among trees. Many, many trees. I looked up, and there they were. A feather and a leaf, floating through the air, not quite up or down but sideways, lifted along by some gusts of coldish wind. Could they be friends, and traveling together? I ruminated on this while formulating interview questions to ask them about their roots and their journeys, specifically this one.

Before I continue, true confession: I know the language of forks and plates and furniture and random other things considered to be not-alive. These so-called inanimates communicate clearly, and I happen to hear them and usually endeavor to fulfill their simple requests, like placement in drawers and cupboards and being allowed a good slant of afternoon sun. It’s the least I can do, given all they do for us. There are many stories there, but they must wait for another time. Stories are good at that, have you noticed?

Anyway….

I was thinking, that day among the trees, that the language of feathers and flying leaves might be beyond my reach. Oh, I feel pretty sure that if I’d studied their languages when I was young, I’d be able to bridge any communication gap now. Like so many things, though, I put away my forest fancies and my birdy songs when I was oh, so young. The bigs told me other things were more. More important, more acceptable, more real. And so, like littles everywhere, I abandoned my whimsy and denied my fairy genes.

There I go again, with the digression thing. It happens all the time; words arise that just must be written and as I honor them I lose sight of—well, in this case, I lost sight of the feather and the leaf. They disappeared around a corner, between a few big trees. Which got me to wondering if I could ask the trees if they’d seen them. Which got me to wondering if I could learn the language of trees. Which brings me here, to this writing, and gets me wondering if the Grammar Police will ticket me for starting multiple sentences with Which.

So much of life is attitude, and so much of attitude is belief, and so, so much of belief is faith. And so I, mid-life and of the flesh, stood rooted in my sturdy shoes that day in the damp woods, feeling just a tickle of breeze tingling my scapula in just those places my wings tried to sprout so long ago. There are scars, I’m pretty sure, on the spots where I ground my little back against the walls of my room, rubbing out the tips of feathers that came once, thrice, six times before they gave up. My thoracic spine is a graveyard, I realized then, and a longing arose to unearth those feathery thwarted things, to sing them back to life and learn finally and just in time how to fly. And (sorry Grammar Police), I chose right then and there to follow this desire as it leads me down a path or up a hill. I decided to let myself rise and feel a gust of coldish wind carry me and my new old wings along to the place where feathers and leaves might be friends, where we would and will play in the wind and commune a bit, and talk of many, many things.

–Melinda Coppola