SHE and DOE

 

 

 

 

 

 

 

It was a few years ago that I found myself meandering in a quaint little town in western Massachusetts, about two hours east of home. I saw the sign, which read, simply, THRIFT. As a a fervent fan of space and simplicity, I practice de-cluttering my home and head regularly. I’m quite aware of not accumulating more things. Even so, I turned towards the door of the shop, reminding myself that it can be a very good thing to be free of an agenda.  Like many of you, wandering with an unhurried pace is a novelty in my daily life.

I was on a personal retreat for a few days, a very welcome respite from my 24/7 role of caregiver to Bink, my adult daughter with special needs. This big chunk of alone time was (and is) rare and precious in my life circumstances.

The shop was crammed full of everything I could imagine a thrift shop can hold; quilts and vases, books and jewelry, furniture and tools and clothing. Toys, rugs, artwork, decorative tchotchkes, lamps CDs, and vinyl records all vied for space on the haphazardly placed shelves and tables. I made several loops around the store, noticing new things each time. It was on my last lap that I spotted her, spotted them, half hidden behind some dirty old pots and a breadbox.

I was immediately drawn to the creamy ivory color, the smooth texture, and the way the woman was kneeling and offering her hands to the doe with the chipped ear. My heart flooded with peace, and I felt this sculpture to be the perfect symbol of the life I long to embody. The kneeling woman radiated serenity and compassion as she connected to the female deer, who is herself a symbol of gentleness and heart energy. I clearly had to adopt them, the she and the deer, no matter the cost.

I slowly moved the objects that kept this beautiful duo half hidden, and lifted them to my chest and into the light. To my surprise, the price on the bottom of the sculpture read $22.95 I bought it and wrapped it carefully in the blanket which stays in my car for Bink, who uses it for comfort in the passenger seat.

I returned home after my few days away, feeling replenished and calm despite a number of daily phone calls and text messages while I was away. Bink was quite anxious with me gone, despite the competent, loving care of Superguy, her rather amazing stepdad.

I carried the sculpture around the house, trying a few different locations, asking the newly adopted ones where they might feel most comfortable. They ended up on a shelf in my home office, where woman and doe continue to radiate a deep and perfect peace. Each time I look at them,  I am convinced they were sent to me as reminders from Source that all will be well, and I take a wild and hearty comfort there.

What about you, dear reader? Are there a few special items that hold great meaning for you? If you were moving and had to select just a few non essentials, what would they be? I welcome your response here in the comments section of this blog, or via email.

-Melinda Coppola

 

Thalassophile’s Lament, August

 

 

 

 

 

 

 

That place I left
my last glass of calm,
tabled and shimmering
like the Sun himself had reached
down and swished his mighty
steamy hand in its
vitalizing quell,

the place I leave
against my will,
bits of devotion
and enthusiasm dripping
from my fingers
onto sand which absorbs,

absorbs so nobody
except I would know
I was there, ever

and always resisting,
resisting the pull
towards fall,
responsibilities,
the reckoning
that bruises my hands

as I grasp, try, hold,
lose grip,
the salt air
and the light
which illuminates my delight

like nothing, no place
ever has,

 is always by the sea,
by the sea.

 —Melinda Coppola

 

The art that blesses my listening hands

 

 

 

 

 

 

 

Making Art with Beach Stones

My home hums with them–—
the smooth and rough,
pale and dark,
striped, speckled,
some with lines,
or bits of mica
mesmerizing the light.

They number
in the thousands by now,
populating table
and bins and buckets,
lining mantels and
perched on shelves,
all holding the sea,

having chosen to be plucked,
over years,
from their temporary,
sandy homes on beaches,
Massachusetts mostly,
with a Rhode Island minority,
a Florida few.

They called to me as I strolled,
or else I spied them first—
glimmering with sea water

having just rolled in
with latest tide,

or perhaps half buried
among their brethren,
co-habitating peacefully
in their transient villages

along a shore dotted
with shells broken and whole;
scallop and clam, oyster
and the thin,
pale yellow jingle shells,
the occasional smooth sea glass,

strewn with the crunchy brown or
slippery green salty seaweeds,

among seagull leavings
and the remnants
of humans at rest and at play—

and I asked the stones permission,
waited for yes,
cradled them
with my work worn hands,

guided them
into my cloth bag or
scratched bucket.

My home hums, perhaps
three thousand stones,
alive
as you or I,
just vibrating slower,

and they answer
as I approach, as I
hold, inquire
with loving intention,

as I invite them into art forms,
cairns,
ancient and new,
stacks and lean-tos,
bridges and
little families
all supporting one another.

We try one side, then another,
collaborate to find
balance

and then,
then we pause
breathe
feel,
and I wait for their final yes
or not this one, not now.

Together we make magic,
my humble hands
aligning each stone,

knowing
with all my six senses,
when I hear

yes. Right there.
We are perfection now.

 

-Melinda Coppola

 

 

 

 

 

Mothering Outside the Lines

The Bus Stop Moms

From my morning window
I would watch
as they huddled casually,
tossed light conversation
back and forth,

an occasional
eye towards their kids
who played and laughed
together, finding sticks,
tracing shapes and letters
in the dirt.

After the big
yellow bus swallowed
their chattering children,
the moms would often stay
and talk a bit
in the easy way
women do
when they have things-in-common,

like an intact marriage,
and Pilates class,
and typically developing children.

I’d watch them wave to each other
as they’d part,
good-bye, see you later,
the bus stop moms turning
each towards her own
well manicured lawn,
highlighted hair shining in the sun.

I’d guess at market lists,
soccer schedules,
Girl Scouts tomorrow,
Johnny needs new sneakers,
such busy mommy thoughts
dancing in their heads.

From behind a fraying lace curtain
I’d imagine being one of them.
How carefree they must feel,
sending their kids off
without concern
for their obsessions,
compulsions, anxiety,
lack of toileting skills,
inability to communicate.

Without gnawing worry
that today might be the day
she bites the teacher again,
(who tells her to wait for the bathroom),

or rips at her clothes at recess,
(because it’s just too loud),
or has a meltdown during snack time,
(because the juice was the wrong color,
and nobody noticed signs
of the impending storm).

Almost two decades later,
the bus stop moms
are all grown up,
and so am I.

We still live in parallel universes,
they in their emptying nests, kids
off to college,
getting engaged,
traveling the world,

and I rarely compare
my apple to their oranges
these days,
having found the appetite
for what I have been served,

which is another way of saying
we can learn to love
what we’ve been given.

I’m busy slow dancing
a day, a week at a time,
having found my own
special mom circles,

and a different carefree
that doesn’t demand
grades, degrees, weddings,

having found a partner who
loves being her dad.

Different house,
the lawn still unkempt,
the curtain perpetually
in need of replacement,

these days I only peek out
to see the bunnies
so at home
in our untended landscape,
as am I,
as am I.

 

-Melinda Coppola

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Rocking the cosmic swirl

Rocking

It comforts me to know the old
couple across the street
just celebrated fifty years

in the same house. Fifty together years
with the home they perhaps chose
to be new in together,
a threesome of sorts,
their bodies joining brick
and hardened earth
settling and cracking
and pressing together,

adding more spackle
and grout
and laughter

with a child, then three more,
adding rooms
to contain the growing
and the mirth
and the tears
of those who were
fledged,
now gone.

When my soul grows weary
traversing tightropes—
such fast-paced, overloaded,
know-too-much times—
I look across the street,

to the wise and wizened pair
who are ever so busy
slowly rocking, in their old chairs,
on the porch,

and it consoles me to witness them,
soothes me to consider
the old ways of houses
and their people,
and the history of aged dwellings anywhere,
the ways these wood and stone
talismans seem to lean into
a wind or two that can elicit creaks,
groans even,

and their occupants
maybe know
they are being held up
by sagging floorboards
and crumbling plaster,
and the roof is losing shingles
fast as hairs on their heads,

yet they rock, and nod,
and smile
as if to say

where are you rushing to,
and don’t you know
all things fall apart.
We do, too,

so why not sit awhile,
give the swirling
sediment of your ancestors,
and the greening pollen
that falls from the trees
like stardust in the daytime,
a place to land.

See how the wind marries the light,
begets little particles of evidence
that you’re alive,
that others have been, too,
and ragweed and dander,
detritus of the whole cosmic swirl,

touch down on your arms,
have little dances
before they settle there.

 

–Melinda Coppola

 

 

 

NOT ZEN, BUT NOW

Being present is easy when the blue sky moment is trimmed with green grass, when temperate breezes blow your hair back gently from your bright, clean face. You can hop off the worry train quickly in such minutes and hours. You can drop your baggage carelessly to the ground without so much as a glance towards where it lands, and feel your sneakered feet happy on some surface that may or may not be level. You can take the world and yourself exactly as it is, you are.

It’s jumping off in the dark that’s tricky, first opening your chest and reaching in deep for your courage and the faith that you’ll be welcomed by some surface, that you won’t fall and keep falling into some gaping chasm that opened in the earth while you were busy regretting and planning and being all sorts of things except grateful.

When the moment you are living in, the only one you have (which is all any of us have, ever), is a really shitty one by most measures, because you’re watching someone you love deeply (say, your child) suffer, and you can’t fix it, being present doesn’t feel like any gift you want to accept graciously, or at all.

We can know what we know, you and I, about the transient nature of pretty much everything; how all things pass and we are just temporary sculptures made of bits of stars and dust from dinosaur bones and the dreams of our ancestors. We can know all this and still want to do almost anything but be with the most painful parts of our existence.

And yet.

And yet, in time and over days colorful or washed out, through dark, thick nights and between joy sandwiched by crusty miseries, our capacity to sit with it all increases. It might be imperceptible for a long, long time, and then one day you mirror gaze and your jaw drops. There it is, your shiny heart, visible right through your tender skin, and it’s drumbeating and voluptuous, stretched out by all the exercise of crying and breathing and laughing and coping. It’s huge, in fact, and strong enough to hold you and everyone you care about, and even a few you don’t. Right about then you might remember that you’ve made it through absolutely everything so far, and even the thorniest ground doesn’t feel quite like a match for your deceptively tough lower body. Then you sit right there in that moment, and maybe you don’t feel tempted to pretend to be elsewhere at all.

And so.

And so you get up in the morning and pour a hot cup of something like tea. You drop in soy milk that turns the tannic liquid the color of hope. You wake your kid, even if she’s been up ten times in the night, and begin. You begin because it’s the only real choice, and maybe this day you stick around for more of the moments than you did the day before. You don’t zone out as much, or numb yourself as often. You don’t project, or regret, or try to edit what hasn’t even been written yet. You face what arises without censure, because you know and keep knowing you’re strong and wise and sober enough to sit or stand or slow dance with any given moment, be intimate with it, and then let it
let it
let it
go.

–Melinda Coppola

 

So many ways to say it. Be Here Now.

 

 

 

 

 

Between

Opening the red door to a new spring day.
my feet greet crumbs of last year’s leaves,
dotted with recent, light green pollen
all swirled into the little cove, entry
that guides me into and from
this place, this home,

and they rattle a brittle kind of music
together, new and old,
crunchy and soft,
before I even lift a sneakered foot
across the threshold.

There it is—a word, a season, a sound;
threshold, May, music,
and my mind goes to all the beginnings;
friends welcoming grandchildren,
my niece with a new Master’s degree,
and last eve, baby bunnies
shaped like promise
against the lovely, later dusk
in the front yard.

A poem, a sign,
seasons bumping up against
each other, and my mind
goes to all the endings;
one woman struggling with reason
in the wake of her husband’s suicide,
another, across the world, daily grieving
her young daughter,
who would be nearly eight now,
taken by a disease deemed too rare
to fund research for a cure.

Endings, beginnings, the seasons
tireless with their lesson plans,
and somewhere between
the celebrants
and mourners,
the rest of us keep forgetting
to be alive while we live,

and the wind keeps
reminding us—
breathe, breathe,
this too shall pass,
you too,

so be urgent with this
moment, press your face
into the grass,
let the musky earth
fill your senses,

get dirty
get wet,
leave the laundry
for another day.

 

-Melinda Coppola

RESET

Reset

This morning came twice
to meet my wan welcome.

There was pre-alarm
almost-dawn
when my eyelids were
leaden, fingers numb
after some sleep asana,

and there was no joy in me
to power the muscles
to coax the bones
to shape themselves
around some idea of upright.

Half hour later
my hand rose instinctively
just in time
to palm the clock’s head,
pat the button down before it shrieked.

Second chance at fresh beginning,
and the light in dawn-streaked sky
lifted my lids and held them
open like a daisy, an offering,
a demure directive
to stretch already
and rise to meet
the God
in everything.

–Melinda Coppola

 

 

The Poet Says….

Allow me to share a poem that debuted on the Songs of Eretz Poetry Review this morning. This is the third of my poems to be published there in the Last week. All three are eligible for the Readers Choice Award contest on the SongsofEretz.com    Voting begins March 1!

 

The Poet Says This is How You Should See

 

A prism is lifted to the sun. Imagine
a million nuances of color and shine,
fractal languages of symmetry
resting perfectly
between breaths or heartbeats.

The artist knows the power of spaces,
without which there would be no means
to shape the eye’s longing.

Musician has this same knowing,
gleaned through the eardrum’s
oscillations: there is no song
without pauses
between notes.

Someone in your diaspora of friends
will die tonight, and in the moments
between last exhale
and the doctor’s legal declaration,
a poem is written on the window
in frost. It lingers

only as long as two pairs of eyes can see it,
and if the heart that goes
with one pair can hear it,
a song will be born,
and if the soul that goes
with one pair can see it,
here will be a rendering
in charcoal, or paint, or crayon.

This is how life continues;
The poetry between things
must draw the attention
of some realized aspect of God,
like you, or you,
and your near-desperate desire
to interpret the miracle
becomes the language, the love, the soil
from which
something else can be born.

–Melinda Coppola

The Goddess of Every Little Thing by Melinda

Returning to Autismville

 

Good day!

Below, the second of three of my poems that are eligible for the Readers Choice Award over at Songs of Eretz. 

Here is the poem, along with the Editor’s words and poets notes from the journal:

Editor’s Note:  Nominees for the Songs of Eretz Readers Choice Award have been or will be published/reprinted in Songs of Eretz Poetry Review every weekday from February 19 to February 27.  Vote for your favorite in March by sending an email to Editor@SongsOfEretz.com.  The winner will be announced in April and receive a one hundred dollar honorarium.

Autismville

Melinda Coppola

I can’t tell you
it is an unpleasant thing
to live in the quirky neighborhood,
on the far side of the river,
a good ways from the thickest part
of the frantic throng.

Here, we are daily looking up,
fixating and stimming
on green minnow leaves
that shimmer against the waters of the sky.

Here we have our own customs;
the daily waking song,
the recitation of dreams,
the morning questions and videotaped answer
for her to play back over and over,
the reassurances:
Yes, there will be snack. Yes, Mom is a girl.
Yes, there will be girl hair when we leave.

The life we’ve grown into,
first she and I and then he
who married into this confluence
of ordered disorder,
this life has authentic charm.

We go slow, we don’t try to measure up.
Our victories are sweeter
for how long they take to manifest
and mysterious
for how quickly they can disappear.

I can’t say it’s tragic in this virtual village,
this parallel universe
peopled with other singular folk
who understand the need for things
like space and processing time,
patience and velvet compassion,
smooth voices, soft dolls,
sweet routine and
more spice in everything.

We have magic here, I tell you.
Songs that play in color,
voices with texture,
folks who spin and swing and
hum and sing.

And the leaves! The glorious
minnow leaves,
dancing upstream,
between the clouds,
and laughing.

Poet’s Notes:  My young adult daughter lives with my husband and me.  She also lives with Autism, Obsessive Compulsive Disorder and a great deal of anxiety. She presents as quite challenged to the uninitiated eye, and our lives are far from typical.

I often feel that we live in a parallel universe, moving at an entirely different pace while the world speeds past.  The children of friends and family meet their expected milestones and move on, and we amble and pause, spin in circles, and forge our own footpaths through the weedy brush. Our milestones are different, but if and when they come, we celebrate them well and take nothing for granted.

It’s not an easy life but it’s also not the grand tragedy that some people seem to believe it is. I wrote this poem to offer a different perspective to those who feel sorry for us and those who move in the faster, more conventional lanes.

About the Poet:  Melinda Coppola has been writing in some form for nearly five decades.  Her work has been published in several magazines, books, and periodicals including I Come from the World, Harpur Palate, Kaleidoscope, The Autism Perspective, Spirit First, Chicken Soup for the Soul, Welcome Home, and Celebrations.  She is an artist, yoga teacher, and mother to an amazing daughter with special needs and enjoys infusing the work of her heart with her voice as a poet.

Coppola nourishes her creative spirit with singing, early morning walks, collecting and making art with beach stones, cooking, spending quiet time with her husband and daughter, and communing with her cats.  This poem was first published on her personal blog twenty four may on June 8 2017.