Melinda Coppola

twenty four may | from the inside out

Melinda Coppola

twenty four may | from the inside out

 

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Dear November,

It is a month of tributes to poetry, 30 poems in 30 days in some circles. So, being a bit amiss, Miss Construed, I write a letter instead.

You are special to me, 11th month, in your own glorious, necrotic, achingly beautiful way. I mean, each page in the book of numbers we call calendar, each page, is rich with grief and pleasure, memories of arrivals, and departures, and years of holding on tight while the New England leaves were letting go. But you hold more in your numbered boxes, 30 in all. More happy, more sad, more than some moon cycles combined. Letting go, dear month, is not as easy as the fall flora would have us think.

For starters, one tiny towheaded boy arrived to two Albanian immigrants in Roxbury, MA. It was your 28th day, year 1926. Do you remember? He came up amid hardships, I was told, the kind that I have never known. He came up against violence, I’m told. That I did feel, and see, echoed in my own book of numbers. And from that,

One grown woman, ( that would be me) who thought herself ready, pledged herself to one grown man, who seemed to need my care and want my heart. Your 4th day, year 1989. Does that tickle your memory? There was audience; most invited, like Love, though a young Fear and his wisp of a friend, Worry, also slipped in. Towheaded 1926 dressed up as balding-headed middle age and walked me down the aisle. I matched my step to his. Too fast, I noticed. I sped up anyway. And from that,

1992, your day 15, gave us a child. She was not the only pregnancy, just the only one to make it out of me alive. Did you have a hand in that, November? She was perfect, and there was joy. 1926 and 1989 seemed pleased.

Things got broken along the way. Things often do. 1926 finally learned to let go, and pieces of him became soil, and leaf, and flower. 1989 fell hard and cracked wide open. There are scars, but they are tough and fibrous and have served me well as I raise up one fascinating young woman. She has been, well, sort of dissed by this time and place. She is called dis-abled, she is dis-affiliated with what society calls normal and her very being dis-allows anyone else’s notion of what she should be. A few who claim to love her have so dis-tanced themselves from her that they have essentially dis-appeared. She, though, has dis-assembled my expectations of motherhood, sometimes in the most delightful ways. She will dis-abuse you of your understanding of how words are used, if you let her. She is dis-arming, full of surprises and an innocence that shines. She also dis-tills my meaning-of-life questions in a way my poems never quite do.

And so, November, old friend, you have grown big in my small incarnation. I celebrate you well, the way I wish we all rejoiced when someone dies because we are happy for their soul, because we know they have graduated from the toughest school there is. I salute you and bow down to you for gifting me with the ability to love beyond measure, to mourn and wail and clutch grief way too tight, and then to breathe deeply and let go like the leaves you coax to their next fertile phase, the ground growing rich under your sanguine discipline.

-Melinda Coppola

 

 

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