STONE LOVIN’

Dear reader, is there something in the natural world that you are really drawn to? Birds, clouds, pine trees? Lightening storms? Is there something for which you have an unrelenting affection? For, me, it’s stones. Specifically, I’m drawn to stones that hail from the edges of the sea.

I feel so very alive and content when I am walking on a stone strewn beach, or when I am crouching over them, admiring their myriad patterns and shapes, colors and textures. When I’m in communion with these rounded beauties, I have no age, no name, no agenda. I am not weighed down with layers of labels and hurry-ups and I’d-better-nots. The stones­­­­­­­—all colors, sizes, and shapes of them– touch a place deep inside me that feels like it’s been alive forever.  My relationship with them is simple and straightforward. I adore them, I respect them, I’m in awe of them. I also delight deeply and earnestly in my time with them, and…. I know them to be alive. They vibrate at a much slower rate than humans do, but they have life nonetheless.

I collect them, but only if they tell me they want to be gathered. My hands and eyes move towards the stones I am drawn to, and sometimes the vibration coming from a stone feels like a definitive NO, don’t take me. Not today. And so I don’t pick that one up, or if I already have I’ll place it gently back down with a silent thank you. Sometimes they are happy to be put into my bag or bucket, and other times it seems they are entirely neutral.

When I am on a beach that is home to stones, preferably in the early morning or late afternoon, I feel like I am surrounded by the most exquisite jewels the Earth has to offer. Who needs diamonds, when there are such gems as these, smoothed by time and water and wind and imbued with a wisdom I cannot adequately describe.

I have thousands of stones in my home and yard. When I have the time and feel the calling, I make art with them. Cairns, specifically—intentional stacks. Here again, the stones guide me in the process. Some want to go together, some are neutral. Some will make it quite clear they do not want to be placed on top of that rock, or in that cairn.

I used to just balance the stones, and I do have some cairns that live that way for a long time. About ten years ago, the thought of gluing them together came to me. I felt my way through that idea, and then brought it to the stones, not knowing how they would feel about being glued. Their radiated answer? Yes, glue is OK. A decade of our time seems to be like a few moments of theirs, and their languid vibrations do not react the way ours might. My deeper sense is that, if they are glued in a cairn and the time comes for them to be free again, the cairn will simply break apart.

My stone love brings me peace.  I’m grateful for their steady reminder that true strength and real balance can coexist in unlimited combinations of color, size and shape.

So, reader dear, what calls you out of doors, what helps you stay grounded when the ways of the peopled world feel oppressive or overwhelming? You can email me privately by replying to this blog, or you can leave a comment below or on Facebook. I do so love to hear from you.

Melinda Coppola

The Animist in the Basement

In the time of damp basements,
I used to talk to the walls sometimes,
quite softly,
caress them even,
my whorled fingertips
stroke-searching
for the faintest
raised evidence of mold.

On an August morning,
those netherland, concretized
holders-up-of-all things-necessary,
(like the house),
those walls were already moist.

I did my verbal massage,
my digital exam,
and I remember clear
as yesterday, sharp
as melatonin dreams,
the shape of something growing
recoiled under my touch,
and my eyes asked for more light.

I feared I’d lose the home of it,
if I left to find the slim
black bullet of modern design,
small flashlight
that lived in the junk drawer
in the kitchen above,

and so I stayed there with it,
the fuzzy seedling of something dank,
surely distasteful,
something I’d want
to poison with, say,
vinegar, or another
green killer of fungal growth.

I stayed and I leaned closer,
one hand still grazing the tips
of the tiny forest I imagined,
the other braced on smoother wall.

I stayed and I leaned in,
nostrils flaring,
prepared to test the truth of it
my cilia at attention,
brain poised
to marry what I know
of scent of mold
to this imminent olfactory immersion.

I leaned in,
I breathed in,
and it was then I heard it first—
the tiny soprano keening
of a hundred living somethings,
beseeching, imploring­­­,
and I knew
the way I often know things
that I can’t explain
that it was a village of little beings,
a country even,
and, like Horton
who heard a Who,
I also heard and knew,
I’d best leave those Tinies alone.

I learned quite young
this world will tolerate
only so much weirdness,
and I, who hear the plates
asking for rotation,
and the driveway talking to the car,
I’ve silenced myself so frequently
it feels like second nature.

There is a time, though,
to let go of such concerns,
for each of us
could be considered mad
by someone.

So here it is,
one of my truths;
I’m just learning to speak Window,
but I’m fluent in Wall,
and many of the things
you may think sense-less,
mute and dumb
are actually alive!
They feel, and talk,
and I feel and talk back

I wasn’t going to tell you,
guessing how you would react,
but the journals in my bookshelf
joined their voices
in an almost harmony
with the runner rug in the hall,
(which is strange indeed,
because they usually don’t congregate),

and they said
in their own languages
that I should try,
that this world needs more perspectives,
that none of us is wrong,
we’re all just limited,

so there, I wrote it,
I said it,
and you can take it in, or not,
but either way

please wipe your feet gently
on the doormat
it so hates when you do
all that stomping.

 

–Melinda Coppola

 

I Come from the World

Bink would say…a long haired girl day, aka a very good day!

 

I’m pleased to share that I’ve had two poems published in I Come from the World, a new literary journal.  If you’d  like to check out this brand new online journal, here’s a link:   https://icomefromtheworld.org/   The poems that are mine, both previously published on my blog, are: Between Faith and the Cable News and My Calling.

Of Two Minds, or Many

What if there’s no such thing as right side up?

 

Of Two Minds, or Many

When Left Brain speaks,
she is right on
about doing it
right or don’t do it
at all, do it
all right, do it
right now,
for all the right reasons.

Left Brain says I’ll whip you
into shape and that would be square,
four equal sides,
no curved lines,
nothing left over and nothing
to spare.

Right brain listens
before she speaks,
and after,
or doesn’t speak at all,
just listens, nods,
listens again.

Right could not care any less
about being true to her name.
She knows what’s left
after all the talking and listening,
after all the reasons and arguments,
what’s left is the raw, moist truth.

Right sings to left body,
coos and coaxes, makes suggestions:
Write with your non-dominant hand.
Pick up the paintbrush, charcoal,
Breathe out a poem before breakfast.

Chakra Theory says there is a meeting place,
a union of two minds,
found deep in the Ajna* forest
of your third eye, where the trees glow
an unearthly shade of indigo
and the birds, when they come,
beak out soundless songs
that make exquisite,
immediate sense.

It’s on my To Go list,
this mercurial destination,
and I know I’ll get there someday,
but right now, my Left says
a unified I
is on the no fly list,
and balance evades,
and all my selves seem content
to wander internal circles,
muttering niceties to each other,
and humming.

 

—Melinda Coppola

* Ajna is the Sanskrit name for the Sixth ( or brow) Chakra, home of inner knowing and intuition, where the energies of Yin and Yang meet

Yogabilities™: Peace as a civil right

Doesn’t everyone deserve to be peaceful?

 

When I tell people that one of my occupations is teaching Yoga, there are some common responses.

Oh, I love Yoga! I take it at the gym/the cool studio in the upscale shopping center down the street
or
I can’t do Yoga, I’m not flexible enough.
                          or, perhaps
I read an article about how many NFL players do Yoga.

When I tell people that one of my specialties is teaching adapted Yoga classes for individuals with special needs, there’s also a common response, variably worded but along the lines of:

               Oh, that is so wonderful that you do that for them.

Translation: you must be a saint. You are so self-sacrificing. That must be so hard.

Insert audible sigh here. I know this territory. As mother of a young woman with special needs, I’ve heard things like it all her life.
1. I don’t know how you do it.
2.
You have the patience of a saint.
3.
God gives special children to special people.

Those are well meaning comments, I know. And sure, it can be really hard, and I do happen to have super-sized patience. I also believe that each incarnated soul is special, and God//Goddess/Universal Life Force has a way of putting the right souls together to help us learn and grow in the ways we most need to. In other words, everyone—parent and child, with or without extra needs— is special, so therefore # 3 applies universally.

When someone would roll out the old “How do you do it?” in the past, I was often too tired to answer, or too taken aback, or too caught up wondering how the hell this person knows what it is I actually do with my kid, given that they maybe just met me.

As my daughter and I grew older, I’d more frequently have the right snappy response, which is “ She’s a blessing.” Short, true, succinct. These days I’ve added on a few new handy lines, also true,” If this were your child you’d do anything you could for her, too. You’d rise to it. You probably have moved a few mountains for your own kids, right?”

So, back to the Yoga teaching. I’ve been teaching my adapted classes, which I call Yogabilities™, for about 11 years now. Like most things in life, I’ve learned as I went along. I’m not a saint, it isn’t a sacrifice, and Yoga is not some special privilege that only belongs to the, umm, …so-called typical folks.

In our times, everyone has stress, most people have anxiety, and I’ll drop and give you twenty push-ups right this minute if you can find someone in your daily life who does not contend with poor sleep patterns, inability to focus, lousy posture, stiffness, or difficulty with balance. Everyone can benefit from Yoga.

Further, people with special needs have more stress than many. Society often treats them like children all their lives, limiting access and choices and self-determination and robbing people of a very basic human right—dignity. So, if anyone is more amazing than anyone else, it is my Yogabilities™ students and their peers. They deal with challenges we can only half imagine, and many do it with humor, patience and grace.

I love working with these particular students because, cliché as it sounds, they teach me as much as I teach them. There is no pretense as we sit together and breathe, practice being present, and share strategies for coping with anxious and unpleasant feelings and situations. We all seem to accept each other rather unconditionally. My experience with my own daughter serves as a constant reminder to release any rigid agenda, meet each person as they are, and go with the flow. Moreover, these students and I seem to co-create an energetic space where each person can feel welcomed and safe. In that container, I’ve seen magic happen.

On those Yogabilities™ afternoons or evenings when I am particularly tired and would like to just stay home and catch up with laundry or check out with an HGTV home show, I cue up a mantra from my daily life and let it nudge me into place: I GET TO, as in

I get to be her mother
I get to go teach Yogabilities™.
I get to spend time with some of the most interesting people I know.

So yeah, I get to share my knowledge of Yoga with people with special needs. Some of them are saintly for putting up with the rest of us. I don’t know how they do it. God must have created the circumstances whereby they can teach me the stuff that really matters. It’s so wonderful that they do this for me.

–Melinda Coppola
www.SpectrumYoga.net

Welcome to Autismville

 

Shimmering minnow leaves

AUTISMVILLE

I can’t tell you
it is an unpleasant thing
to live in the quirky neighborhood,
on the far side of the river,
a good ways from the thickest part
of the frantic throng.

Here, we are daily looking up,
fixating and stimming
on green minnow leaves
that shimmer against the waters of the sky.

Here we have our own customs;
the daily waking song,
the recitation of dreams,
the morning questions and videotaped answer
for her to play back over and over,
the reassurances:
Yes, there will be snack. Yes, Mom is a girl.
Yes, there will be girl hair when we leave.

The life we’ve grown into,
first she and I and then he
who married into this confluence
of ordered disorder,
this life has authentic charm.

We go slow, we don’t try to measure up.
Our victories are sweeter
for how long they take to manifest
and mysterious
for how quickly they can disappear.

I can’t say it’s tragic in this virtual village,
this parallel universe
peopled with other singular folk
who understand the need for things
like space and processing time,
patience and velvet compassion,
smooth voices, soft dolls,
sweet routine and
more spice in everything.

We have magic here, I tell you.
Songs that play in color,
voices with texture,
folks who spin and swing and
hum and sing.

And the leaves! The glorious
minnow leaves,
dancing upstream,
between the clouds,
and laughing.

Melinda Coppola

 

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5/24/17

Today I celebrate my incarnation

Fifty six trips around the sun,
carrying a moniker
that took decades to like,
and I continue,
residing more,
or sometimes less,
inside this soft tent of skin
held up by strong bones
that shape this form
we keep agreeing to call me.

So much to marvel at,
a couple tens of thousands
of sleeps, of sunrises,
so many chances
to shake it off and begin again.

If I could line you up–
the ones who noticed,
and the ones who never did,
the ones who took me in,
or under a wing,

and those who laughed at me,
and those who laughed with me,
and those I loved but never told,
and those I didn’t love enough,

and those who knew I could
when I thought I could not,

and those who spoke truth
even when it shattered me,
and those who lied to me,
and those who betrayed me,

and those who were afraid of me,
and those who were afraid with me,
and those who lost hope,
and those who gave faith,
and those who questioned,
and those who accepted,
those who showed up
those who left without leaving a note,

those who explained themselves,
those who never tried,
and those who encouraged,
and those who could not,

if I could gather you all together
I’d go bowing through the crowd,
hands in loving mudra
thanking each of you
with my sentient heart,
for all of it.

As it is,
I ruminate
on how you helped me grow,
and how I hope
perhaps I helped you, too.

I kneel and praise a universe
that does this,
that keeps us
offering ourselves to each other
over and over,
as rough stones,

each encounter smoothing a jagged edge
through pleasure or pain,
returning us as pearls
to a larger sphere in need
of our perpetual adornment.

Melinda Coppola

Self Portrait

” We do not see things as they are. We see things as we are.” Anais Nin

AS SOUP: I am mostly hearty kitchen-sink vegetable bean. With each tasting I re-season myself; more salt, a dash of lemon juice or vinegar, a pinch of cumin, a snip of fresh mint. On occasion, I am decadence in a bowl; my inner creamy broccoli-cheddar self will show her sly smile, or my smooth and caloric parmesan-green bean let-it-all-hang-out side may bubble up to comfort and delight herself, and you if she’s in the mood.

AS STUFFED ANIMAL: I am a little ivory lamb, tucked away in a bedside drawer to avoid the cats and their greedy, nosy mouths and claws. I always know I’m in there, though, and that alone brings deep and wide delight.

AS BOOK: I am the quirky young heroine of a magical fantasy series set in a vast woodland. The plant spirits whisper and chide in a most amusing way. I slide from one adventure into another. My dear friends, the birds and the squirrels, the deer and the dark-eyed owls, are always nearby. They guide me, and sometimes I rescue them, mother them, sister them. My hair is wild as the tangled roots of the old oaks, my clothing, hand-me-downs from the brownies and fairies and fashionable mushroom elves. I sleep among the mosses and swim in the cheerful brook.

AS WEATHER: I am mercurial New England, Geminian, not content to stay the same too long. I am generous when sunny, and sullen when I rain. I pay no mind to the silly preferences of those that dwell within my borders. Why, if someone doesn’t like one of my mutable seasons, they can wait it out, or curl up in a ball and roll south to the more predictable climes.

AS POEM: I am free verse, unconventional and untethered to form. Black ink on ivory stock, predictable fonts and rectangular pages, these things bore and stifle my words and music, so I refuse to be bound by them. I am not afraid to rhyme/when the Muse tells me it’s time./ though I’ve been known to piss her off/by refusing.

I am mostly undiscovered, a written contradiction; quicksilver, slow on the uptake, a little tentative, rock n’ roll, then shy. I doubt I’ll ever be famous, but if I am an invitation to one soul to see one thing differently, then nothing is for naught.

AS HOUSE: I am old in the bones, wide-porched with the kind of lopsided charm that challenges: restore me, update me, uncover my shiplap, make me a color I’ve never been before but retain every odd angle and don’t f— with my leaded glass. I am not your flip, but oh! how I will serve and protect a family. I’ll open my doors each morning to gently push them out to work, to school, to a day of playing in the meadow. Each evening I’ll warm and welcome with my fieldstone hearth, and guard against nightmares and the cold. I’ll proudly display the children’s heights and dates penciled on the old doorframe in the pantry, and pose patiently for pictures through the lovely, languid years.

-Melinda Coppola

Dots and Dashes

Shirts must be pink, or occasionally “pool”…

She speaks in code, Bink does, and I endeavor to decipher. She works rather hard, in her neuro-atypical way, at making sense of the world. As her mother and Chief Advocate and Interpreter, it is my dharma to help the world make sense of her.

We walk parallel to the others, next to but ever separate from the niceties of everyday etiquette, the social customs of this place and time. Try as we might, ( and we do try, usually) the distance between us and the others, the “typicals”, seems a little wider by the quarter moon, the fortnight.

We sandblast as we go, hew a serviceable path and call it road. In retrospect she will have surely perseverated on a multitude of things, in any given month of any year. It’s an intrinsic part of her skill set, and she does it well. For example: Why did __________ have a dangerous voice when she said no three times in a row on the Raquel chips Tuesday in the silly-silly-when column? That was in the year 2000, by the way. I know this, and roughly what was happening at that moment, because I have heard this exact question at least one hundred and fifty times over the years, and I have answered it each time in perhaps ten different ways. “ I don’t know” is not an acceptable answer, so I ask a few questions of my own, gather clues, piece things together. Sometimes the answer satisfies, sometimes it is clearly wrong. She is occasionally able to articulate a new detail, so I learn a little more each year. This is just one example of the hundreds of repetitive questions that populate my life with Bink. It’s fascinating, really, and it cultivates a wild patience.

There are always dots and dashes, codes and patterns that order my days. Take, for fair example, the laundry.

Splatterings of oils; could be olive or walnut, canola or ghee. These make wide patterns like the cosmos on a velvet sky. There are drops like stars; some large and hard to miss, some so tiny
they are barely visible to the eye. These can be found flung asymmetrically across the shirts, rubbed wildly into the thighs of pants, mysteriously pressed into the seat. An anarchy of art, or stain.

There are the squiggles, little wavy lines calling up my inner detective. Brown: could be coconut aminos, our alternative to sauces such as soy or hoisin. Or could it be chocolate? This calls for a review of her last few days, and then I remember that Thursday afternoon sweet éclair. There are also grand sweeps of things; green curry, crimson siracha, curled across the cotton like big cursive letters spelling out a gleeful early dinner.  Blobs, like asteroids crusted and clustered, could be smashed chevre, wild rice, couscous laced with parmesan, and pecorino.

The laundry basket bubbles up with all these garments, abstract perpetual records of her days. I pull each one out, smooth it, inspect for the artists’ signature, assess which treatment plan
will erase, release, allow for swift return to a home drawer.

Bink has an odd relationship with clothes. They must be stretchy, soft, mostly free of snaps and zippers and buttons — nothing to bind, scratch or pinch. Shirts must be pink, with the rare exception of “pool”, which is a particular shade of blue.

When she is upset, her pants are fertile ground from which her fingers will seed holes, which sprout and flourish. Once she burst in after school with half her bottoms flapping in the breeze like a maxi-skirt, the entire outside of one pants leg torn open.

So, the laundry. It’s not that she cares about stains, or how she appears to any of you. I am the one who notices the ways of the world, who sees how she is daily judged. In line at the market her hands flap, bird-like, and she sings a whole CD, in order, from memory. She has a voice like an angel, and some have ears to hear this, her sparkling soul. Others see the Morse code on her clothes, dots and dashes, a little tear with hole-y aspirations. So I , the one who knows her best, every freckle and scar, dot and dash of her, will keep erasing the distractions of yesterday’s menu on her shirt. And I will hope, and sometimes pray, that this will give more people the ears to hear her song.

 

-Melinda Coppola

 

 

 

 

 

 

7 AM ( more autism awareness) | Autism

7am

I entered your room quietly,
with loving stealth,
stood inches from where you slept
curled into the warmth of your sleep nest,
pausing one round moment
to take in the sight of you, just
to hug you with my eyes
before we began
the ritual we’d perfected over
twenty four years of mornings.

There we were
in our assigned places,
me leaning gently above,
you just beginning to stir
as I sang you awake.
There were your hands
reaching for my hair,
first right side then left,
like always, like a touchstone
to remind you it’s safe
to be awake and alive.

Pink walls and ceiling, pastel rug,
whispered, made-up song,
you under soft
layers of things;
assorted spreads, a quilt, some blankets,
one embroidered with your name
and the date you debuted,
a gift at birth from a relative
on your now absent
dad’s side that met you
once maybe, whose name
I’ve quite forgotten,
who is surely long dead.

I flash-mused on what she’d feel,
this nameless giver of named blankets,
if she could ghost unseen
into your bedroom, this morning
to see what you’ve become.

Would it be grief
for all the ways you’ll never be,
the way you arrived
with unseen challenges,
diagnoses not yet named,
a baby who would remain,
in many ways, a child?

Would it be curiosity,
your differences intriguing,
offering perspectives
she’d never considered
while alive,
tapping on the doors
of her phantom compassion,
awakening a deep patience,
a human reunion with her own
estranged otherness,
the selves she, while living, shunned?

I hope she would be filled
with the color of pure delight
as she saw you still loving
her decades old gift,
for its essential pinkness,
its enduring softness,
its well-named comfort
in the place you call safe,
in the place you dream,
in the place you are perfect
with no one there
to tell you otherwise,
in the place you dream.

-Melinda Coppola