My Daughter, the Foodie

The Pies by Bink

Bink loves food. In fact, her relationship with it goes far beyond what tastes good and satisfies her hunger. She loves looking at cookbooks, finding recipes on the computer, and watching cooking shows. The painting subject she selects for her weekly art class is often something edible. The paintings on our walls at home, and the stacked finished canvases along the baseboard in the living room, depict pies, ice cream sundaes, candy apples, oysters, brie cheese, jars of pickles, and other things that make her mouth water.

She enjoys cooking and baking. Although she needs the substantial assistance of another adult and takes frequent breaks, her enthusiasm about picking recipes and helping to make them is always high.

One of my favorite observations about this love affair Bink has with food is the photography it’s generated. The girl takes pictures of everything she eats, or finds appealing. That “everything” means every rendition. If she tastes her own meal or snack and finds it lacking, she has learned to say, sometimes, that it needs more salt, or sweet, or some vinegar. Once the missing taste is added, she’ll take another picture. The food on her plate may look exactly the same as it did a few moments before, but to her it is quite new.

A definite omnivore, my daughter wouldn’t dream of eating pedestrian fare like hamburgers, hot dogs, French fries, or chicken nuggets. I certainly have no problem with her avoidance of those foods, and I do celebrate her widening palate. When she was three years old, she went through a phase where she would eat only blueberries and dry Cheerios. Neither is on her Yes list now. So, what does she eat?

Bink is attracted to the spicy, the sweet, the pungent, and the pickled. In her relatively short life, she’s enjoyed an enormous variety of comestibles that you’ve likely never granted transport across your own lips. She once had Ostrich Carpaccio with her father when she was about ten years old. She loved it, as she has also relished occasional octopus, eel, braised rabbit, many kinds of lamb, a rainbow of pickled plant life, anchovies prepared a number of ways, and a small variety of dried spiced crickets. She salivates at the thought of raw oysters and enjoys Teriyaki seaweed and ostrich jerky as a snack, when available. Very, very few of those things have made it onto my plate.
Most ethnic foods are yesses, especially Indian, Moroccan, and Japanese. She also loves many of the Korean delicacies her dear Aunt Young makes for her. Think homemade Kkaennip Jangajji (pickled Perilla leaves) and Japchae ( spicy glass noodles with vegetables).
Over the years, I’ve honed my cooking skills to suit her palate. Eggplant, bell peppers, smoked duck, goat cheese, and the above-mentioned lamb, are generally high on my own list of Will Not Eat. Still, I can handily transform them into dishes with an Indian, Chinese, or Japanese twist for my gourmet daughter.

Bink takes her lunch to her day program most days, and we plan those lunches together. On Saturdays, she’ll decide what she’d like to have for her lunches during the following week. We shop for the ingredients on Sundays, and cook more or less together most Sunday afternoons. Bink favors warm lunches, so typically she’ll take a lidded ceramic container of soup or stew, along with a side of something pickled or some sticky rice chips, and water. Yesterday morning, however, we had to cobble together a cold lunch, as her day program was headed to Newport, Rhode Island, wouldn’t be back in time for her to heat her lunch. She and I managed with anchovy fillets, some of my recent batch of zucchini pickles, Kalamata olives, and some coconut sticky rice chips, each of those foods nestled into a little Tupperware container. The beverage is always water, which makes it easier.

One of Bink’s quirks is that her food preferences can turn on a dime. When she requests something, it can come from memory, or from perusing cookbooks and The Food Channel. Sometimes, she’ll get very excited at one of my (or our) creations, and will eat it with gusto until it’s gone. Other times, she’ll enjoy it once or twice, and then I’ll get a text during a weekday, or she’ll announce at dinner or breakfast,” I’m tired of ______ (that thing that took two hours to make). ”

On rare occasions, we can negotiate a way to doctor the taste of the food with a seasoning or sauce, and she might deign to try it again. Often, though, she will not touch said food again, at least for a few months. So, we might end up with a container of some very spicy eggplant, or a soup that tastes and smells like strong fish sauce. I really don’t like to waste food, but Superguy and I just don’t have the stomach for some of Bink’s choices. We do know a few hardy souls who enjoy some of these things, so we can share some of the cast-offs as well as the excess from my more successful creations.

I’m well aware of how fortunate we are to be able to offer this quirky gourmet a variety of things she enjoys. It’s important to me that she eat as well rounded a diet as possible, and I have come to enjoy a little adventure in my cooking. Also, not all of her preferences are expensive or unusual. She likes particular pizza from certain places, and she’ll sometimes enjoy garlic bread and simple vegetable soups. Raw carrots are in occasional favor at the moment. She really likes sweets and baked goods, though she limits them to once a day and generally writes four NO TREAT days into her wall calendar. That last one is a story for another time.

Next month, Bink will turn twenty seven. Some kind friends, a family with a wonderful adult son who is also on the spectrum, have invited us out to dinner to celebrate in a few weeks. Bink is already anticipating an order of creamy raita, with just the right amount of tamarind and mint sauces mixed in, to savor with her Peshwari naan. She’ll probably share an appetizer of vegetable Samosas with me. Then there’ll be some kind of spicy lamb dish, and perhaps she’ll have a little of whatever curried vegetable there is to share. For dessert, she will be delighted with some cardamom scented Kheer (Indian rice pudding) or sweet sticky balls of rosewater infused Gulab Jamun.

Truth: Just now, on this Wednesday midday as I sat editing this piece for the blog, Bink called me from her program. That doesn’t happen too often, and usually it means Something Is Wrong. What was today’s message? “ I’m tired of the lemon risotto. Lunch I want balsamic mushroom barley soup tomorrow.” And so it is. Would anyone like a serving of perfectly good parmesan infused lemon risotto?

–Melinda Coppola

The Melting Popsicles by Bink

WALKING


At twelve, thirteen,
fourteen months,
when most children
begin to walk,
or make a show
of pulling their soft
wobbly bodies
to stand,

you were content
to sit and rub
the carpet, watch
the fibers grow fuzz
beneath hands
you didn’t seem to know
belonged to you.

A plump child you were,
with flesh-ringed legs
and arms,
at least three chins.

As you grew
stronger, my arms
did, too,
carrying you
room to room,
holding you
while you screamed
inconsolably,
and turned away
from others,

while you recoiled
at sights and sounds,
textures, certain clothes,
and any kind of shoe.

We didn’t know about autism,
not yet,
but I quickly learned
what brought you comfort.

When you were at peace
I could be, too.

I wonder
if you recall,
as I do,
when you were sixteen, eighteen,
twenty months
plopped on the grass,

making a study,
it seemed,
of the individual green blades,
your fat hands
brushing the tops of them
over and over,
your face some mix
of stern concentration
and happy fascination,

sweet reprieve from the screaming,
relief for my strong
but tired arms.

And still you grew,
and rebuffed
my attempts
to hold you up by the armpits,
sing walking songs
show you videos
of babies toddling happily
from toy to toy.

It was this,
the not walking,
that brought my questions
to doctors,
to Early Intervention,

that began the parade
of specialists and therapies
I never dreamed
would become our norm.

It was a blur in many ways,
that time,
but I recall when
you took your first,
tentative steps.

You were two
years two months,
finally ready
to trust your feet
against the hardness of the earth,

to step forward
into the blur of delight
and confusion
and newness
and noise.

–Melinda Coppola

Kind or Write?


I’ve been finding it challenging to encapsulate life with my daughter, Bink, lately. Hard to shape words for the page and even for casual conversation with friends, many of whom have their own experiences with parenting and/or caring for people they love who have special needs.

It’s not for lack of material. Bink continues to surprise me at times, wear me out at others. She delights while calling forth all my mental, emotional, sometimes physical resources, in almost equal measure. She’s growing incrementally towards greater confidence. She’s opening up, revisiting some foods she’d dropped from her odd gastronomic repertoire, talking of trying some activities like skiing; these are things that are, in my world, a very big deal.

There is so much I want to share, and yet I’ve been noticing more guard rails hugging the road I walk and ride while parenting her. Sometimes my own hands show the callouses that tell me I’m on the work crew, building those stout metal fences with what might be a thought of safekeeping. But what is there to keep safe? I’m aware of maintaining some privacy for her and for our family. That’s the why for the blog names I’ve given daughter and husband, and the way I don’t show many pictures of her.

Maybe that’s part of the tension. As she grows, so do her talents. I’m biased, but she has a range of them that almost beg to be shared. She sings beautifully, and has a huge memory vault of songs going back to even the little tunes I made up for her five or six months after she was born. I want to record her and share some of that melodious magic with you. She is developing into quite an artist, and as our walls that display some of her work
beg for mercy, the canvases stack up along the baseboards. She wants it all framed and hung, you see.

She has been horseback riding for over a year, an activity that Superguy and I shared some pessimism about when she began. Knowing her as we do, we figured the combination of a good bit verbal instruction (which can overwhelm her), the smell of the barn and paddocks, and the physical challenges of maintaining good posture and engaging core and leg muscles for thirty minutes would culminate in a short-lived equestrienne experience. Between us we probably gave it four weeks. I’m thrilled she has proven us wrong!

I’ve talked with Bink about recording some of her singing and sharing it, and she said that would be OK. I know she’d be fine with gaining a few more admirers for her paintings, too. And there is just so much life, so much that is funny and sad and fascinating in our day-to-day. It all wants to be written, whether read by fifty or by three. And yet.

I’m fortunate to have a few handfuls of writer friends, gained mostly from some fabulous online groups and communities. Our blocks are a common theme. There seem to be endless reasons to stop writing, or at least to stop posting what one writes. Sylvia Plath wrote that self-doubt is the worst enemy to creativity, and I’d have to concur that one ranks pretty high on the list. Not surprising, right? We all have an inner critic, and s/he can be very compelling, and nasty.

And then there’s the prickly issue of other people. I think most writers are introverts, and some of us are, umm, kind of sensitive. Working on thickening our skin, perhaps, but tender in places. A casual, well meant, and possibly quite constructive comment, or an innocent question, from a family member or close friend that reads our work, can send some of us into the claws of inner critic, the alpha bitch. “ See? Your writing sucks,” she’ll hiss. The effect? Shutdown.

There are, also, the other other people. The ones who have had a big impact in not-so-positive ways. For Bink,
some of these people and her interactions with them can take up a great deal of her headspace. Her mind seems to be full of what I can only describe as files. They go back to her infancy (and even before, but that’s a subject for another day).

Once a file from a certain part of her life is open, the things that happened during that time period get played out over and over. I mean this rather literally. Unfortunately, a lot of her recall involves unpleasant scenes and comments. She loves her old-fashioned tape recorder, and she can regurgitate the exact comments people made, in a good imitation of tone, volume and inflection the way she experienced them. She can even recall the date and day of the week these things were said, or done. She scrawls in her journal about these things, too, and creates lists of questions for me to answer the way I think the particular person would answer them.

Bink doesn’t record the sounds and events of her past for the benefit of an audience. Save the aforementioned lists of questions for me to answer, she doesn’t seek a reaction from me or Superguy. In fact, she seems a bit taken aback when we suggest that it may not be the best thing for her to perseverate endlessly on the things people did or said that upset her. She might respond with, “ I’m just trying to understand it.” Or, “ I like to hear the voices.” or even “ It’s important to me.”

As you might imagine, it can be jarring and also enlightening to hear the things a few certain people said to Bink, sometimes decades ago. She doesn’t know how to lie, so there is no doubt these things were actually said. Some of them are appalling. I can only hope they were not actually yelled, and that the loud volume she recalls and imitates is a result of her sensitive nervous system and wiring.

Bink opens new files every five or six months, and re-opens old, familiar ones more often. There is always more to learn from her well-organized memories. Mostly, the people who star in these spoken or written negative memories are not actively in her life anymore. That’s probably a good thing for them because I’d have questions and some sharp words for them.

What does this have to do with my difficulty writing about Bink of late? Well, it’s a delicate thing, to either include or extricate the parts about her obsessions with unpleasant ghosts. I think it’s very unlikely that any of them read my work, but one never knows.

I’m a big fan of Metta, the practice of loving kindness meditation. It has saved me, at times, from becoming entangled in sticky globs of anger or fear or bitterness towards a person or people or happenings that seem to have hurt or wronged me, or Bink. There is a process to the practice, a form and shape that starts and ends in the heart center. It begins by directing deeply loving attention first to the Self. Next, there is a gradually expanding circle of invitees, beginning with the loved ones, then the liked ones, then the neutral people, and finally the people (or circumstances) who challenge us the most. Yup, the practice is to open the doors to the most tender and loving place inside. Once the guests arrive, we make them comfortable, and then proceed with blessing them with happiness and peace. It’s not an easy practice, but it can shift the entire energetic relationship we have with life.

Therein lies my answer, I suppose. I can write about Bink’s thorny memories, or my own. I can poem about anything, include anyone. I just need to be willing to accept reactions, and remember to bless each person and circumstance, present or past, who have crossed paths with Bink, or with me. Thank them for the lessons and wish them an honest well-being. And, just maybe, Bink’s opened files, her very vocal recitations and hastily penned recounting of less than pleasant things, can serve as reminder that love can indeed be greater than fear, and the choice to forgive is the very best gift we could give ourselves and each other.

If you’ve read all the way to the end of this run-on piece, terrific! And if you haven’t, that’s fine, too. I’ve just written about not being able to write about Bink. Surely, that counts as writing about her, which means it’s time for tea.

“I write to discover what I know.”
–Flannery O’Connor

PS: Bless you. I forgive you. Be well.

Pentimento

pentimento
noun
pen·ti·men·to | \ ˌpen-tə-ˈmen-(ˌ)tō
Definition of pentimento
A reappearance in a painting of an original drawn or painted element which was eventually painted over by the artist

The canvas: my face in the mirror, fifty eight years familiar with this world.

Five or six, roaming like the free-range child I was, I caught the sharp end of a rock that soared from an older brother’s slingshot. He didn’t mean it, don’t think he aimed at me, but the impact was hard, and the flesh below my left eye tore, and years later my mother said,” We probably should have gotten you stitches there.”

It’s faint now, a sleeping crescent moon at the top of my cheek. Grace that it didn’t hit my eye, methinks. Pure grace.

Pentimento.

Seven years old, my neighborhood friend
Chrissy rammed a big branch end into the tender space between my nose and my lips, that little grooved path that caps my cupid’s bow.

I’ve since learned its name is philtrum, and no hard feelings, but the game we were playing tattooed a constellation of broken blood vessels across my upper lip, and dotting towards the tip of my nose.

Pentimento.

At twenty nine I had some of that lasered away. Safe for the pale philtrum, not so for the tender lip herself, and so I carry the permanent memory of that day as some big red blotches across my lip. Lipstick never covers it completely.

Pentimento.

Teenaged and beyond, the blackheads landed on my nose and built whole neighborhoods there, and some pimple friends moved in to join them. An anxious one I was, and I discovered the simultaneous relief and delight of squeezing all those things.

So many years later, I can find a few little craters, and small dark lines that seem to drag one pore into another. Not enough so you’d notice, but my nose reminds me I lived through those times. And survived.

Pentimento.

At forty five the crinkling started. The skin at the outer corners of my eyes led the way.

Vertical lines across my forehead came a little later. Layering and playing with texture and color, nature gently added grooves. There are smile lines, and the little cupped channels below my eyes that trace the outlines of darker circles there.

Pentimento.

Sometime between then and fifty, one side of my mouth shifted downwards. It has the oddest effect, like half of each lip is larger, and the drooping side disappears into itself. Sometimes, I paint on lipliner to even it all out.

Pentimento.

Around fifty I began to notice that the skin was slowing way down. Once pressed and imprinted with pillow or a hand propping chin or cheek, she wasn’t so quick to plump back into her former texture and shape. Sometimes I carry the pillow lines until lunch, and I’m an early riser.

Pentimento.

The eyebrows have thinned. Some come in white, and there is a vacant patch in the thickest part of the right one. Sometimes, I pencil in some dark to seed that bare spot. Often, I don’t. The white hairs? I usually thank them for visiting before plucking them away.

Pentimento.

There are some random dark splotches over the cheeks, above the lip.. They call them age spots, I call them places of interest. I don’t cover these, though I wonder, sometimes, how many more will arrive, and if I’ll care.

Pentimento.

Face as canvas, and the mirror shows me the privilege of a longer life than many are given. On close inspection I find layer upon layer of sad and happy, hurt and scared, content and growing wiser. I find hope and despair, and lots of letting go, and a glaze of peace on top of it all.

Our small eyes

Perchance

Perhaps nothing begins
or ends,
not exactly.

The field mouse knows
the tall grass
to be her world.

We say
morning comes,
and yet
it is always
somewhere,

just not in the very front
of our small eyes.

The trees are wise.
They know everything cycles,
seed to sapling,
strong trunk reaches skyward,,
and wind-felled trunk
becomes home for owl
and mushroom,
then fertilizer for forest floor.

Last night
something gentle
grasped my hand,
and I turned towards my partner
who wasn’t there.

Perhaps death
is neither end
nor beginning,
and that
which we name loss
is just a shift
beyond our modest
range of vision.

I want to think
my father came to visit,
or one of my grandmothers.
just to reassure,
just to say,
in Albanian—
which they wanted me to know—
just to say
It’s all going to be alright.

 

_Melinda Coppola

 

 

 

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Daisy Bell

I’m showing my age, and proudly, when I ask this—do you remember the sweet old song called Daisy Bell?

“Daisy, Daisy, tell me your answer, do/ I’m half crazy all for the love of you…”

Those lyrics and that tune lodged itself in my memory when I was nine or ten years old. I can clearly visualize my Aunt Gloria—a professional singer in her day—leaning over the metal cage in my living room and singing that song to Daisy, my little blond guinea pig.

I’ve always loved the simple flower with the unassuming face and the heavy Latin name of Bellis Perennis.  A recent prompt about flowers in a writing group brought forth this little poem:

DAISY

I invited a Daisy to sit with me
under the shadow of a splendid green tree.

The flower politely declined my invite
to rest and converse in the cool filtered light.

Shade, she said, is not my friend.
I’ll lose my petals, my stem will bend.

Give me the sun on my upturned face
and I’ll blossom and multiply all over the place.

Daisy, said I, it’s clearly true
you are my favorite, my favorite is you.

No deception, no thorns, could possibly hide
in your bright yellow head, or your petals so wide

Your beauty is honest, and simple, and true
as flowers go, Daisy, my favorite is you.

 

–Melinda

 

 

In praise of song

 

 

 

 

 

 

 

SONG STORIES

You open
your mouth
and out pours
a river
carrying the rhythms
of fluids—
blood and lymph,
tears, synovial.

It is current, and source,

keeper of memories
and the stories
of your ancestors,
and mine.

Song is the lilting thing
passed down
from breast to infant lips,
from old warrior
to young hunter,

and passed on
lover to loved,
cricket to cricket,
across the fields
and through forests.

It is the play of wind
between mountains,
the Earth’s drumroll
pre volcano.

Song is the ancient
chants of the native peoples,
sacred contract
between the land
and the beings She
once welcomed,
and now strains to support.

Song is the chasm,
the lightening, the divide
between keepers of light
and keepers of darkness,
and those being born,
and those who are dying.

There isn’t a breaking dawn
without the heartbeat of earth,
the symphony
of wings rubbing together,
of claws scampering
up and down the trunks
of trees whose leaves
make whistle

out of breeze.

There isn’t a dusk that settles
without the howl of coyote,
the barking of prairie dogs,
rattle of snakes,

and the sea
with her incessant breaking
and pulling back,
giving rhyme
to the arrivals
and departures
of tides, and storms,
and stones.

Song is the hum
of all life,
natural and now
created—the talking
screens and the bots,
the drones
and the buzzing wires
that link us
and divide us.

Space,
that ultimate infinity,
was once thought silent,

but now we know
it’s out there, too—
the Song, wild and
roiling in the
gravitational waves,

bouncing
between howling
planets
and whistling
gasses,
celebrating the spaces
between things.

 

-Melinda Coppola

 

 

Arrivals

I’m posting this a day before my daughter’s 26th birthday. I’ve always felt, with certainty, that we were meant to incarnate this way, as mother and daughter, at this particular time in the life of this planet. I don’t need to know why, because I know it’s true.  Happy birthday, Bink. You are the best gift ever.

The Room Where Light Meets

Perhaps it began in a vast,
cloud filled room,
backlit with stars
and random flashes
of lightening,

or

the distilled bright
of a hundred
thousand dawns
that traveled,
speed-of-light style,
to their meeting place

to coalesce
perfectly and
right on time,
to kneel as pure light
before
the Beginner
of All That Is

where we
each received
our assignments,
and that

ethereal datebook,
days marked
in celestial
purple ink

to mark your conception,
and your birth,
full enspiritment,
yours as child,
mine as mother.

Perhaps there is no
random,
no haphazard,

perhaps we are all
always
right on time.

 

–Melinda Coppola

The Meaning of Compassion

The Kuan Yin

She keeps watch in the warm corner of my bedroom, her bearing almost more regal for the rivers of cracks and generous chips that mark her faded turquoise. Her right hand, the deliverer of action, folds into Gyan Mudra, the gesture of consciousness. Preparing to take her picture, I haul myself into the present moment as an honoring of what she is and what she represents.

This statue doesn’t move. Her eyes don’t shift to follow my movements. She is alive nonetheless, imbued with a love deep and rare, a love that springs from her most famed attribute, compassion.

My father gave this Goddess to my mother sometime in the mid seventies. I imagine he was making an effort to support her blooming love of Yoga and meditation. The statue moved out when my mother and I did, after the divorce, and took up residence in the corner of the small apartment. When my mum moved to a different building, Kuan Yin settled into another corner without complaint. This is where my daughter, Bink, first met her.

Bink, my mother’s first granddaughter, was delayed in nearly every aspect of development. She never crawled, and didn’t manage to pull herself up to standing until she was over two years old. During each visit to Grandma’s place, the turquoise Goddess of Compassion was witness to Bink’s ongoing challenges and triumphs. At three feet high and graced with numerous curves that made excellent grab bars, Kuan was a natural assistant during the pull-up -to-stand phase. As the relationship between my mother and my daughter deepened, so did the one between child and Goddess.

Part of the way autism presents in my daughter is her unrelenting adherence to self-made rules and rituals. Each time Bink visited Grandma’s place, she lurched or toddled or otherwise found her way to Kuan Yin in the corner. Bink developed a real attachment to Kuan Yin. She loved to touch the smooth blue-green skin and garments. Perhaps the coolness felt good to her frazzled nervous system. My mum photographed these encounters several times, inadvertently documenting Bink’s physical growth. Though I can’t find any of those old photos now, the memory of them is clear in my mind.

I loved it when my daughter spent time with her grandmother. It gave me a much needed break from a child who didn’t sleep through the night and often wore me out with her intense and unusual needs for…well, almost everything, except perhaps socialization. My mum grew to understand Bink in a way that few others did. She understood the bizarre food preferences, the need for space and the simultaneous obsessive-compulsive need to touch people’s noses. She celebrated my daughter’s triumphs and her quirks almost as much as I did ( and do). Kuan Yin was there to witness much of this.

During one of Bink’s Grandma visits, She grabbed Kuan Yin overzealously and the turquoise wonder toppled to the floor and broke into a multitude of pieces. The statuesque Goddess had the grace to land in a way that caused no injury to my daughter, but there was some devastation nonetheless. What would visits to Grandma be like without the reassuring presence of the dear clay lady in the corner? Luckily, we didn’t have to suffer long enough to find out!

Enter my brother S. He loved model cars and planes when he was a kid, and he still excelled in his ability to visualize solutions to problems and then manifest them. S glued back every little piece of Kuan Yin, and though she bears scars that tell this tale, she stood once again tall and strong in Grandma’s corner.

When my mum had to vacate her apartment to live in an assisted living facility, Kuan Yin came home with me. At twenty five years old, Bink no longer shows an attachment to her. That doesn’t diminish her power one bit in my eyes. The one who symbolizes my favorite attribute will always have a place in my corner, wherever that may be. She is a testament to a deep love that springs from a compassionate heart, the bond between my mother and my daughter.

–Melinda Coppola

 

Little Things

It was, in my home, an ordinary weekend morning. I rose before him, he before her, the felines were fed. I made three different kinds of tea, two prepared with stevia and soymilk, one with honey.

It was the latter that sparked it. She who has such challenges, she who’s made such gains, she whom we encourage towards greater independence, (which is such a big word for a collection of rather little things), she rose from the table for more sweetness, and he, who loves her like a daughter, was making his own breakfast, standing right in front of the lazy susan, home to the nectars—clover and wildflower, and the raw, local blend that boosts immunity.

“Excuse me.” she said, and lest you think nothing of those words coming from that young woman, I tell you manners are a milestone in this autism infused home.

He stepped aside, she went for the good stuff, picked up an unopened jar when there was an open one there too. He, who can be less patient than I, told her to put it back and find the open jar instead. From across the kitchen, I saw the signs. Her face tightened. Her hunch grew hunchier. Her hands began to flap. “ I need a break!” she said. Such advocacy! And often, those words are enough. Girl gets her space, and life goes on.

This particular morning, he-who-loves-her-so felt the honey task was within her abilities. He was also maybe tired, a little cranky. And so he pushed back. “ Bink, take a deep breath. Look for the open honey and use that instead.”

It was too much. Her hand darted out, her fingernails clawed his forearm and she grasped the muscle, skin, and hair there. “ OWWWWW!” he yelped. “ That HURT me!”  Bink was off the rails. Superguy, who is usually calmer, wasn’t far behind her. I intervened with soothing tones and smoothed it, smoothed it, as I am prone to do.

To his credit, he settled well before she did. After an intermission, we had a meeting to rehash the events. “ It was too many instructions,” she said. “ But still….,” he replied. We talked about ways to avoid a situation like this in the future. Bink’s outbursts and aggressions have lessened dramatically over the years, so when they occur now we try to address them head on, after the storm. We meet, we identify triggers. We strategize and together we come up with rules that make sense to her. I am, generally, the one who remains even tempered and toned. I am her safe harbor, and also his. It’s a balancing I’ve grown proficient at finding and demonstrating.

It was what happened later that sparked something wild inside me.

Mid-morning, I was at the table in the dining area that is open to the kitchen. That table is a multi use surface for us. We eat there, and fold laundry there. Writing is done, art is made, bills are paid. I heard something unusual, and looked over to find Bink opening the lazy susan and turning it, finding the honey. She looked at all the jars, selected the open one, and put it on the counter. Then she picked it up, put it back in its place, and maneuvered the awkward folding door into the closed position.

“ Bink,” I asked, “what are you doing?” “I fixed it!” she said triumphantly.

She had, on her own, done a do-over. She recreated the scenario as best she could and practiced finding the open honey, taking it out, and then putting it away again!! This was, and is, a totally new thing. A small thing that was beautifully important and large in its meaning.

Did I praise her? You bet. In fact, I called Superguy in and explained what had occurred, and he was blown away as well.

I have a decorative painted sign that sits over one of my favorite framed art prints in my kitchen. It’s the little things, it says. There are tiny lovely potted plants painted on either side of the words, and the whole small rectangular piece is bordered in gold. It’s one of my favorite things to look at in my home.

It’s the little things, indeed.

–Melinda Coppola