Medicament

Medicament

This morning’s waking,
tight and tender to the touch,
felt like neck ache,

and all along
the spine of this day
my heart climbed and slid,

ridge-riding
the grief and uncertainty
of these past months,

pushing up towards
bone-like pinnacles,
vertebraic protrusions
of more bad news—
illness and violence,
economic cancer,
people hating their neighbors—

and then
the intentional slide
over cushiony discs
hydrated with hope,

into valleys lush with
stories of great kindness,
dotted with golden gifts,
small sweet buds of peace
that can only bloom
with softened expectations.

Now at the tailbone
of a long sixteen hours,
no Downward Facing Dog
or Bridge Pose can save me
from this hunched pecking
at the keyboard,
almost desperate
to whiplash out a poem
or some semblance thereof.

How many ways
can we find
to harm each other?

and

Aren’t there an equal
number of ways
we can lift and hold,

tilt a hurting person
towards the light,
say

Look—
the way your cheek curves
towards your chin
is poetry.

And

You, over there—
talking to your cats
with your eyes alone,
see how they respond
by blinking back, slowly?

And

Old man, I’ve seen you
water your plants
with deep, unquestioned faith
that they’ll leaf and angle
towards the sun—

and isn’t that grace,

and aren’t we all,
every one of us,
a cure
for someone’s
unease?

–Melinda Coppola

Gifts and Visitations

It’s been just over a month since my dear friend and soul sister Marina died, after a quick and nasty tussle with appendiceal cancer. She visits my consciousness daily, in ways both fleeting and substantial. We talked a lot about the afterlife in her last months. She told me clearly that, when she visits me after her death, she’d make herself known in a way that looks like dragonflies.

The first sighting occurred less than twelve hours after she passed. I was with Bink, walking at one of our favorite Audubon sites. There, a trail unrolls through a little forest before splitting itself in two. To the right, a lovely treed path eventually leads to a small bridged dam, pausing before heading into more woods and on beside a waterfall.

Choice two runs straight ahead at the fork to a wee bridge that cinches a pond on either side. This beckons onto a boardwalk over more water, with an option to follow a path into an almost wildly overgrown bit of land.

It’s a magical place, one that my little family appreciates tremendously. That final Sunday in June was the first time Bink and I had been back since Covid-19 had closed most Audubon trails in mid March. We were delighted to learn of the re-opening, in time to greet the summer growth gracing the land. Across the water, a thick blanket of lily pads hosted frogs napping in the sun. Turtles rested atop rocks protruding from the pond. The air buzzed with insect life.

It was on the boardwalk that the first dragonfly came into my vision. She hung in the air in front of me, sunlight shimmering off her blue-green body. I tried to capture a picture of her, but each time I positioned my iphone she flitted out of the screen.

Soon, I noticed more dragonflies. Different colors and sizes, all dancing and hovering around me and Bink and above the water. Well, I told myself, this is dragonfly heaven! Of course they are here. Doesn’t mean that it’s Marina.

At home a few days later, Superguy pointed wordlessly out the window over our kitchen sink. We have planter boxes and a large pot or two on the deck out there. A lone dragonfly hovered in the thick air between a raised box and the plants thriving in the pot next to it. Thirty seconds, one minute. Maybe two. There she is, I thought. She’s here, he may have said.

Earlier this month, we stayed at a small rental on the Cape for a week. It was a hasty decision we made back in February, pre-Covid. The house we’d rented and loved for years had sold recently, and we were mourning the loss of that sweet yearly week. We’d driven down to the area to look for another option, hoping for something, anything, that would be within a short walk to the beach we love.

We found a cottage and were able to view the inside. It was much smaller than the previous one, paneled in pine that was darkened by age. It was also available for a week this summer! We put a deposit down on the spot.

Marina, whom I’d seen the month before, had not yet been diagnosed with the cancer that would take her life. She’d been tired when I saw her, and only vaguely aware of some indigestion.

When my little family arrived for our July week at the cottage, we went around to the back door to retrieve the hidden key the owner had told us about. There was a metal sculpture on the backside of the house. Hmmm, I thought. Dragonfly? No, it looked more like a butterfly.

We went inside. The small kitchen opened out into an equally compact dining area and living room. There, on a shelf looking out towards the front window, was a colorful square canvas with—you guessed it—a beautiful dragonfly on it. Tears welled up in my eyes.

In the bedroom off the kitchen, the same dark wood covered the walls. Superguy was the one who spotted it first: the sole decoration in that room was a colorful cohort of dragonflies, rendered in metal and nailed to the wall.

A few days after we arrived, my love said,” Hey, did you notice the dragonfly art by the back door?” “Oh, yes,” said I. But I think it’s actually a butterfly. Noooo, he mouthed soundlessly, his silver hair catching the scant light from the back door as he shook his head. We went out to examine it more closely. “See this elongated body? That’s not a butterfly. It’s a dragonfly.” And so it was.

Bink loves to swim. Recently, as she swam in a local lake, her head bowed as she dipped her curious, goggled eyes beneath the surface, M landed lightly on her back. She stayed there for several minutes, not moving.

Another day, a dragonfly appeared on the inside wall of our garage. She just sat there, watching and being watched, for a long time.

I’ve made online connections with others who knew and loved Marina. There have been strings of messages between us, and a tender Zoom memorial service this past weekend. We’re scattered around the globe, yet many of us have had dragonfly sightings in recent weeks.

Sometimes, I hear Marina talking to me. It’s reassurance that all is well, that she is indeed in bliss. There’s more, though.

Marina was an artist. Like many creatives, it took her a long time to truly and firmly believe in her art. It was only in the last two years she was financially able to cut her “real world” work to a minimum and give her deep attention to the gestation and birth of her evolving artwork.

She first knew me as a young poet. At twenty, I was untamed and bohemian. Poetry poured through my fingers when I sat with a journal. Through the years, my visiting time with Marina was often spent making art, with hours of talking and laughing punctuated by periods of absolute, easy silence.

One of the gifts my friend tried to give me over the last few years was what she called the YES, AND. Marina understood the constraints of my life circumstances over the past few decades. Through my descriptions, and the perpetual need to do careful advance planning for our scant visits or even our phone calls, she had a good sense of what is involved with parenting a child who has significant special needs.

She knew that I love my daughter without limits and beyond comprehension, that my commitment to her wellness and growth is lifelong and unwavering.

She also knew how I longed, long to have great expanses of unfettered time to write and paint and make art with beach stones and fully explore the wellspring of creativity that has always been part of my bone structure.

“Don’t starve your soul,” she’d say. “YES, you are an amazing mother. YES, your daughter needs you. AND—make time for the art. You have books inside you and your painting is full of Goddess energy and whimsy and you need to let it out. Don’t let it die.”

Sometimes, I accepted the gift of her words graciously, gave them a nod, then dove right back into the thick stew of my life. A few times, I let her words really penetrate. Paintings would come to life in snatches of time. Poems would press themselves out in pieces on my Mac, waiting patiently to be shepherded into something complete and satisfying.

When Marina extends her energy into my moments now, she knows I feel her offering gifts again. If she were in the flesh, she’d say YES. It’s a full plate. Covid has magnified it all. Bink will always need. AND you need to tend your whole garden, sweetie. The whole damned thing.”

–Melinda Coppola

Dragonflies

Image by Rona Kline

Image by Rona Kline

As I write this, my dear friend Marina lies dying in a lovely room inside the oldest house in an historic and pretty New Hampshire town. A wonderful woman who worked with her in the local general store has taken her into her home. Hospice has set her up well with a hospital bed that adjusts in many ways and keeps moving different parts of her body to prevent some of the pain associated with not being able to get out of bed.

A mere six months ago, Marina was celebrating the purchase of a little house in New Mexico, old stomping grounds for her. She envisioned growing old there while making her art and reconnecting with the culture in an area of the country she has long loved for its people and its wide, open skies. She planned to move there this month, just after celebrating her solo art show at The Newton Free Library the first week of June.

Covid 19 would likely have postponed the show, as it slowed or halted so many things. The pandemic burst into dominance at the same time that my friend had a scan that looked very suspect.

Her journey has been fraught with suffering and pain as the diagnoses and prognoses grew increasingly dark through the weeks. She has had deep sorrow, and also joy and gratitude and acceptance. I’ve written a bit about this already, and it isn’t actually what I’ve come here to the page to say.

We humans can be so apathetic about being incarnated. We act as if we have unlimited time, as if each day isn’t positively bursting with beauty and grace and opportunities to bring meaning and comfort to at least one other being.

Many of us are quite good at identifying what we don’t want and don’t like. We tend to focus on those things, and it can feel easier to blame the ensuing feelings on outside circumstances. We seem to expend enormous energy tearing each other down.

Though I am a great advocate of the practices of presence and loving kindness, I’m far from immune to the easy drop into anxiety and despair. I can make an impressive list of Everything That Sucks as fast as the next person. I can bemoan the ways in which Other People are directly contributing to the pain and suffering of the larger world and to my own little sphere as well. I can list twenty ways the shutdown has created enormous distress and anxiety for families like ours that include an individual with special needs.

The pandemic and cancer diagnoses are among the teachers that remind us how little control we actually have over many of the circumstances of our lives. Those same professorial forces can illustrate our superpowers. We all have them. Most days, I think, we can choose to do and to be in ways that can make an enormous difference to all living things—people and animals and trees and flowers. We can choose to be present with each other, to listen deeply and hold each being with respect and regard and learn great things that can alter the ways we treat each other and our earth.

Each life is precious. Life itself is an exquisite gift. Everyone has a story, everyone carries pain and joy. We are all works in progress, weaving tapestries of our memories and experiences. No two will look the same, and we have so much to teach each other.

My friend has stopped eating and drinking, and she is mostly nonresponsive now. I know that she’ll graduate into the great love that surrounds us and created us. She knows this, too. “Look for the dragonflies,” she told me a few weeks ago. A few days after that, “Look for dragonflies. Especially the unusual ones.”

Dragonflies represent transformation and adaptability and wisdom. They are associated with water, that magical, life-giving, shape shifter element that adapts to every container and circumstance. My friend has had one tattooed on her left arm for quite a long time, now. I didn’t tell her that I’ve never felt a strong pull towards them. I know that is about to change.

–Melinda Coppola
Post Script: Marina Powdermaker passed away in the first hour of Sunday, June 28, 2020. She was two months shy of her 59th birthday.

Collateral Sorrow

Art by Marina Powdermaker


It’s been a time of times, a steady landslide of uncertainties. Yes, the Covid, the shutdown. Yes, Bink and so many other adults with disabilities being home all day every day for many weeks, with all the usual programs and activities canceled. Yes, the mass suffering and loss that has accompanied this pandemic around the globe. Like so many others, I’ve been all over the place emotionally and mentally.

All that has paled, though, in comparison to another great big unfolding. Marina, a dear friend of mine, has been diagnosed with a rare and very aggressive cancer. Stage four. She lives in a different state, and I haven’t been able to see her.

The news about her condition came at about the same time everything began to shut down. In a dizzying 9.5 weeks she has been through a surgery that was far more extensive than she expected, dealt with the after effects of that with multiple pain medications that haven’t worked very well, grappled with treatment plans. Each subsequent appointment with specialists has brought grimmer news, with predicted possible life expectancies going from a possible two years down to months. Yesterday a doctor told her that if she opts for no treatment at all, she may only have “days to weeks.”

She had a chemotherapy port installed in her chest, but crippling daily and nightly pain led to more diagnostics, and then confirmation that the cancer has spread into her bones. Radiation, which can’t begin until next week, may help the pain but will delay chemo. The first available chemo appointment may be almost two weeks away. She’s been told hospice is not an option if she opts for chemotherapy. Can you imagine riding on this monstrous roller coaster, exacerbated by Covid complications that keep her from close contact with those she loves? If ever there is a time someone needs hugs and loving touch, this is it. Her beloved cats, whose affection has been balm to her, had to be rehomed due to her inability to care for them.

During this turbulence, Marina, who has given me permission to tell you about her, dipped into Laurie Wagner’s free offering of her Wild Writing course. Each morning for 27 days, participants received a video of Laurie reading a poem, and were encouraged to use the lines as a prompt for free form writing. I’ve yet to take one of Laurie’s courses, but I’ve heard many good things.

Marina is a multimedia artist. She’s never considered herself to be a writer. During the Wild Writing course, she wrote on the days she could manage it, and she’s shared some of her words with me. Such raw and achingly beautiful writing! I keep telling her I want to see it all on the page, and online, for everyone to experience.

I’ve been pretty blocked (understatement) in my own writing lately. It’s true that my main daily focus has been keeping Bink occupied and well fed and reasonably content. There hasn’t been a lot of time for writing, or editing. My bitchy inner critic has also been strident in her attempts to silence me, and I’ve let her. There have been pockets for painting and drawing, but those creations seem to be content with five or ten minutes of attention in between the cycles of care giving.

There is so much I want to say, about endings and beginnings and life and death and change. If Marina can pick up a pen and allow such fierce and tender writing to come forth in the midst of her great challenges, than I can certainly let some of my own wordy impulses break free and overwhelm the block. I can do this in her honor.

For today, just one more thing. Please check out Marina’s art HERE.
She does layered, amazingly textured pieces that, like opals, look different in every light.

Take good and gentle care of yourself, and maybe go call or text or write someone you care about. Tell them a specific something you love about them. The world and all her people need more love.

–Melinda Coppola

When all this is over…

WHEN THIS IS OVER

Bring bread,
chewy and warm,
wrapped in that red
checkered tablecloth
that always sings
picnic,

which is short for
happy family,
easy friendships,
peace and plenty
in our town
state
country
planet.

We never went on one,
a picnic,
not once in all our
together years

even though we had that red
checkered cloth,
and enough love
and hope
and time.

Bring bread, baby,
while we can still bake
and chew,
while we can still be
alive together,

while earth still
hosts the wheat, the rye,
the farmer, so trusting,
sowing seeds.

–Melinda Coppola

Tender

Raccoon, bread, apple by Bink


Tender.

Unless I am speaking of meat,
which I mostly don’t,
the very word owns its ness,
as in,
what is tender
evokes tenderness,
and what calls that forth in me
is that which I am drawn towards,
or s/he whom I draw close,
or want to.

Draw close,touch,
be connected with, and to—
it’s like a song whose notes
sidle up beside each other
and seem happily married,
or a poem that dances
smoothly,
word to word,
meant to be silken,
not rough and chopped
like this one.

Tender.
Tenderness.

Decades ago, as a young mother, I joined a playgroup with the odd name of Warmlines. I was lonely in my complete consummation with motherhood, and with my baby. The group name continued to strike me as odd, until recently.

I am thinking of the people in my awareness that are hurting, that are celebrating, that are lonely, and tired, and scared. There are mothers whose adult children have complex special needs ( like my Bink) , and they are trying to hold their ground in choppy waters, and I so get this and I feel connected to their pain. There is the friend from a writing group who has recently been diagnosed with incurable brain cancer. I’ve never met her in person, but she is a sister of the pen. I can only hold her image in my heart, and pour small offerings of caring into her hands, her mouth, as I trek through my days. There is a friend whose brother has mental illness, and his dangerous behavior pulls something from my depths which reaches out to her. There is my dear Aunt, recently diagnosed with early onset Alzheimer’s, and my beautiful friend M who mourns the loss of her mother.

On the celebratory front, my niece is blossoming in her first independent teaching job, living in her own apartment. One of my Yogabilities™ students is in a new day program, an art program for adults with disabilities that encourages her immense talent and will also market her work. My own Bink is creating rather wonderful art in an afternoon class nearby. She also began horseback riding a year ago, and she has exceeded my expectations with her interest and ability.

There are so many more, people I know online, in person, people I know of through friends or family, all dealing with the sticky stuff of life. When I think about them, I visualize myself floating in a kind of emotional outer space, connected to each of these people, who are also floating. There are slender but strong ropes growing out from my body to theirs, or perhaps they originate from each of the others and find their way to a temporary home in my heart. The ropes are purple, and there is an energy pulsing through them; the energy of connection and compassion. That’s when it hit me. Warmlines. Tentacles of caring, linking us to one another as we journey through life. So tender, so very tender.

–Melinda Coppola

Our small eyes

Perchance

Perhaps nothing begins
or ends,
not exactly.

The field mouse knows
the tall grass
to be her world.

We say
morning comes,
and yet
it is always
somewhere,

just not in the very front
of our small eyes.

The trees are wise.
They know everything cycles,
seed to sapling,
strong trunk reaches skyward,,
and wind-felled trunk
becomes home for owl
and mushroom,
then fertilizer for forest floor.

Last night
something gentle
grasped my hand,
and I turned towards my partner
who wasn’t there.

Perhaps death
is neither end
nor beginning,
and that
which we name loss
is just a shift
beyond our modest
range of vision.

I want to think
my father came to visit,
or one of my grandmothers.
just to reassure,
just to say,
in Albanian—
which they wanted me to know—
just to say
It’s all going to be alright.

 

_Melinda Coppola

 

 

 

.

 

 

 

 

 

 

 

 

 

 

 

 

.

 

 

 

 

 

Love is a Rendering

Love is a Rendering

 

Telling you how I love you
is like trying to find things
that haven’t been said
about the ocean.

My hands prefer to paint it—
affection, water—
sweeping, striped backgrounds,
turquoise and deep
salient greens,
silvery whites frosting
every liquid peak,

and there’s the sky
hovering above the seas
like a mother,
cooing and cajoling
smoother, smoother now.
You mustn’t tip the boats,
or dunk the sailors.

On the shore, wild
coastly rocks, and
the dark of cast-off
tree limbs
adding interest and balance
to the composition.

Further inland,
I love you like new snow
frosts the grass,
like blue melds with ebony
to make the nocturnal sky
sing midnight,

like the way those
ensuing wee hours test
the nerves of first time
campers
in their thin tents
along random pieces
of the Appalachian trail,

but fear doesn’t win,
dawn always triumphs,
breaking their sleepless faces
into chapped grins
as they whisper
I made it through I made it through
nothing will get to me or you.

 I love you like that.

Our word is song,
lilt, flow.
Our word is comfort,
as in I knew you
before you were born,

before you were separate
from the great meld
of souls waiting to enter
their chosen bodies,

and someday,
when I need to go,
please don’t say
you lost me.

Know, instead,
that I live on,
around you
and beside you,

in your first
waking thought
as you chide the cats
for meowing before dawn,

and as you rotate the dishes
just the way
you know
they told me to do

and as you bless your gums
by flossing frequently,
and gratefully,

as you pull
all the way over,
leaving the phone
in the car
so you can stand and stretch
and take in the sunset.

That little rustle
you’ll barely hear
could be autumn leaves
swept along the dry ground
by the wind,

or it could be me
whispering
be present,
be present.

 

–Melinda Coppola

 

 

 

 

 

 

 

Receiving the darkness

The word solstice was born from the Latin sol ( sun) and sistere ( to stand still). 

 

Solstice, winter

This darker interlude
could be a meditation,
a reckoning with the deceptive
nature of time.

The exacting practice
of being present

is to show up
for each round moment
as if it were everything.

This is what might save
me, or us—
the stilling to receive
each bundled particle of time,

and if we get really quiet,
and keep the flame behind
our closed lids
fixed on the darkness
before us,

we notice it is leaving
at the instant it arrives.

In truth
there is none such transition,
no arriving, no departure.

It is all a single stroke
of paint
on the mortarboard
of existence.

 

“ It’s all the same f—-ing day, man.” —Janis Joplin, sage disguised as an addict with a glorious set of vocal chords.

As a child, I noticed the shortened daylight only well after the length was returning to the days. Think late January in the northeast US, when the sun slips away almost a full hour later than it did when winter knocks proper on the door. Once I recognized this pattern in myself, it became metaphor for oh so many things.  If it’s mostly always getting lighter just when I notice the dark, then surely I can and will sing right through.

-Melinda Coppola

 

 

 

 

Natura Illustratio

Nature is a picture book
of wisdom and example,
an illustrated guide
to how we could
arrive, and live,
and die.

Take, for example,
a leaf in spring.
It draws from mother tree
the energy it needs
and not a drop more,
grows to the edges
of its vibrant
green potential
without once demanding
bigger, more, better.

The leaf in summer, deep
green and selfless,
offering shade and sustenance
without complaint
to the winged
and the crawlies,
the scamperers and
the two leggeds.

Leaf in autumn
clings until
the time comes
to let go,

and then it drops
without struggle,
allows itself
to be ushered downward
in gravity’s tender care,
right on time,

content to rest under snow,
yield to dank invitation
to become fertile carpet
warming earth,
no misgivings,
no regrets.

 

–Melinda Coppola