My Daughter, the Foodie

The Pies by Bink

Bink loves food. In fact, her relationship with it goes far beyond what tastes good and satisfies her hunger. She loves looking at cookbooks, finding recipes on the computer, and watching cooking shows. The painting subject she selects for her weekly art class is often something edible. The paintings on our walls at home, and the stacked finished canvases along the baseboard in the living room, depict pies, ice cream sundaes, candy apples, oysters, brie cheese, jars of pickles, and other things that make her mouth water.

She enjoys cooking and baking. Although she needs the substantial assistance of another adult and takes frequent breaks, her enthusiasm about picking recipes and helping to make them is always high.

One of my favorite observations about this love affair Bink has with food is the photography it’s generated. The girl takes pictures of everything she eats, or finds appealing. That “everything” means every rendition. If she tastes her own meal or snack and finds it lacking, she has learned to say, sometimes, that it needs more salt, or sweet, or some vinegar. Once the missing taste is added, she’ll take another picture. The food on her plate may look exactly the same as it did a few moments before, but to her it is quite new.

A definite omnivore, my daughter wouldn’t dream of eating pedestrian fare like hamburgers, hot dogs, French fries, or chicken nuggets. I certainly have no problem with her avoidance of those foods, and I do celebrate her widening palate. When she was three years old, she went through a phase where she would eat only blueberries and dry Cheerios. Neither is on her Yes list now. So, what does she eat?

Bink is attracted to the spicy, the sweet, the pungent, and the pickled. In her relatively short life, she’s enjoyed an enormous variety of comestibles that you’ve likely never granted transport across your own lips. She once had Ostrich Carpaccio with her father when she was about ten years old. She loved it, as she has also relished occasional octopus, eel, braised rabbit, many kinds of lamb, a rainbow of pickled plant life, anchovies prepared a number of ways, and a small variety of dried spiced crickets. She salivates at the thought of raw oysters and enjoys Teriyaki seaweed and ostrich jerky as a snack, when available. Very, very few of those things have made it onto my plate.
Most ethnic foods are yesses, especially Indian, Moroccan, and Japanese. She also loves many of the Korean delicacies her dear Aunt Young makes for her. Think homemade Kkaennip Jangajji (pickled Perilla leaves) and Japchae ( spicy glass noodles with vegetables).
Over the years, I’ve honed my cooking skills to suit her palate. Eggplant, bell peppers, smoked duck, goat cheese, and the above-mentioned lamb, are generally high on my own list of Will Not Eat. Still, I can handily transform them into dishes with an Indian, Chinese, or Japanese twist for my gourmet daughter.

Bink takes her lunch to her day program most days, and we plan those lunches together. On Saturdays, she’ll decide what she’d like to have for her lunches during the following week. We shop for the ingredients on Sundays, and cook more or less together most Sunday afternoons. Bink favors warm lunches, so typically she’ll take a lidded ceramic container of soup or stew, along with a side of something pickled or some sticky rice chips, and water. Yesterday morning, however, we had to cobble together a cold lunch, as her day program was headed to Newport, Rhode Island, wouldn’t be back in time for her to heat her lunch. She and I managed with anchovy fillets, some of my recent batch of zucchini pickles, Kalamata olives, and some coconut sticky rice chips, each of those foods nestled into a little Tupperware container. The beverage is always water, which makes it easier.

One of Bink’s quirks is that her food preferences can turn on a dime. When she requests something, it can come from memory, or from perusing cookbooks and The Food Channel. Sometimes, she’ll get very excited at one of my (or our) creations, and will eat it with gusto until it’s gone. Other times, she’ll enjoy it once or twice, and then I’ll get a text during a weekday, or she’ll announce at dinner or breakfast,” I’m tired of ______ (that thing that took two hours to make). ”

On rare occasions, we can negotiate a way to doctor the taste of the food with a seasoning or sauce, and she might deign to try it again. Often, though, she will not touch said food again, at least for a few months. So, we might end up with a container of some very spicy eggplant, or a soup that tastes and smells like strong fish sauce. I really don’t like to waste food, but Superguy and I just don’t have the stomach for some of Bink’s choices. We do know a few hardy souls who enjoy some of these things, so we can share some of the cast-offs as well as the excess from my more successful creations.

I’m well aware of how fortunate we are to be able to offer this quirky gourmet a variety of things she enjoys. It’s important to me that she eat as well rounded a diet as possible, and I have come to enjoy a little adventure in my cooking. Also, not all of her preferences are expensive or unusual. She likes particular pizza from certain places, and she’ll sometimes enjoy garlic bread and simple vegetable soups. Raw carrots are in occasional favor at the moment. She really likes sweets and baked goods, though she limits them to once a day and generally writes four NO TREAT days into her wall calendar. That last one is a story for another time.

Next month, Bink will turn twenty seven. Some kind friends, a family with a wonderful adult son who is also on the spectrum, have invited us out to dinner to celebrate in a few weeks. Bink is already anticipating an order of creamy raita, with just the right amount of tamarind and mint sauces mixed in, to savor with her Peshwari naan. She’ll probably share an appetizer of vegetable Samosas with me. Then there’ll be some kind of spicy lamb dish, and perhaps she’ll have a little of whatever curried vegetable there is to share. For dessert, she will be delighted with some cardamom scented Kheer (Indian rice pudding) or sweet sticky balls of rosewater infused Gulab Jamun.

Truth: Just now, on this Wednesday midday as I sat editing this piece for the blog, Bink called me from her program. That doesn’t happen too often, and usually it means Something Is Wrong. What was today’s message? “ I’m tired of the lemon risotto. Lunch I want balsamic mushroom barley soup tomorrow.” And so it is. Would anyone like a serving of perfectly good parmesan infused lemon risotto?

–Melinda Coppola

The Melting Popsicles by Bink

Kind or Write?


I’ve been finding it challenging to encapsulate life with my daughter, Bink, lately. Hard to shape words for the page and even for casual conversation with friends, many of whom have their own experiences with parenting and/or caring for people they love who have special needs.

It’s not for lack of material. Bink continues to surprise me at times, wear me out at others. She delights while calling forth all my mental, emotional, sometimes physical resources, in almost equal measure. She’s growing incrementally towards greater confidence. She’s opening up, revisiting some foods she’d dropped from her odd gastronomic repertoire, talking of trying some activities like skiing; these are things that are, in my world, a very big deal.

There is so much I want to share, and yet I’ve been noticing more guard rails hugging the road I walk and ride while parenting her. Sometimes my own hands show the callouses that tell me I’m on the work crew, building those stout metal fences with what might be a thought of safekeeping. But what is there to keep safe? I’m aware of maintaining some privacy for her and for our family. That’s the why for the blog names I’ve given daughter and husband, and the way I don’t show many pictures of her.

Maybe that’s part of the tension. As she grows, so do her talents. I’m biased, but she has a range of them that almost beg to be shared. She sings beautifully, and has a huge memory vault of songs going back to even the little tunes I made up for her five or six months after she was born. I want to record her and share some of that melodious magic with you. She is developing into quite an artist, and as our walls that display some of her work
beg for mercy, the canvases stack up along the baseboards. She wants it all framed and hung, you see.

She has been horseback riding for over a year, an activity that Superguy and I shared some pessimism about when she began. Knowing her as we do, we figured the combination of a good bit verbal instruction (which can overwhelm her), the smell of the barn and paddocks, and the physical challenges of maintaining good posture and engaging core and leg muscles for thirty minutes would culminate in a short-lived equestrienne experience. Between us we probably gave it four weeks. I’m thrilled she has proven us wrong!

I’ve talked with Bink about recording some of her singing and sharing it, and she said that would be OK. I know she’d be fine with gaining a few more admirers for her paintings, too. And there is just so much life, so much that is funny and sad and fascinating in our day-to-day. It all wants to be written, whether read by fifty or by three. And yet.

I’m fortunate to have a few handfuls of writer friends, gained mostly from some fabulous online groups and communities. Our blocks are a common theme. There seem to be endless reasons to stop writing, or at least to stop posting what one writes. Sylvia Plath wrote that self-doubt is the worst enemy to creativity, and I’d have to concur that one ranks pretty high on the list. Not surprising, right? We all have an inner critic, and s/he can be very compelling, and nasty.

And then there’s the prickly issue of other people. I think most writers are introverts, and some of us are, umm, kind of sensitive. Working on thickening our skin, perhaps, but tender in places. A casual, well meant, and possibly quite constructive comment, or an innocent question, from a family member or close friend that reads our work, can send some of us into the claws of inner critic, the alpha bitch. “ See? Your writing sucks,” she’ll hiss. The effect? Shutdown.

There are, also, the other other people. The ones who have had a big impact in not-so-positive ways. For Bink,
some of these people and her interactions with them can take up a great deal of her headspace. Her mind seems to be full of what I can only describe as files. They go back to her infancy (and even before, but that’s a subject for another day).

Once a file from a certain part of her life is open, the things that happened during that time period get played out over and over. I mean this rather literally. Unfortunately, a lot of her recall involves unpleasant scenes and comments. She loves her old-fashioned tape recorder, and she can regurgitate the exact comments people made, in a good imitation of tone, volume and inflection the way she experienced them. She can even recall the date and day of the week these things were said, or done. She scrawls in her journal about these things, too, and creates lists of questions for me to answer the way I think the particular person would answer them.

Bink doesn’t record the sounds and events of her past for the benefit of an audience. Save the aforementioned lists of questions for me to answer, she doesn’t seek a reaction from me or Superguy. In fact, she seems a bit taken aback when we suggest that it may not be the best thing for her to perseverate endlessly on the things people did or said that upset her. She might respond with, “ I’m just trying to understand it.” Or, “ I like to hear the voices.” or even “ It’s important to me.”

As you might imagine, it can be jarring and also enlightening to hear the things a few certain people said to Bink, sometimes decades ago. She doesn’t know how to lie, so there is no doubt these things were actually said. Some of them are appalling. I can only hope they were not actually yelled, and that the loud volume she recalls and imitates is a result of her sensitive nervous system and wiring.

Bink opens new files every five or six months, and re-opens old, familiar ones more often. There is always more to learn from her well-organized memories. Mostly, the people who star in these spoken or written negative memories are not actively in her life anymore. That’s probably a good thing for them because I’d have questions and some sharp words for them.

What does this have to do with my difficulty writing about Bink of late? Well, it’s a delicate thing, to either include or extricate the parts about her obsessions with unpleasant ghosts. I think it’s very unlikely that any of them read my work, but one never knows.

I’m a big fan of Metta, the practice of loving kindness meditation. It has saved me, at times, from becoming entangled in sticky globs of anger or fear or bitterness towards a person or people or happenings that seem to have hurt or wronged me, or Bink. There is a process to the practice, a form and shape that starts and ends in the heart center. It begins by directing deeply loving attention first to the Self. Next, there is a gradually expanding circle of invitees, beginning with the loved ones, then the liked ones, then the neutral people, and finally the people (or circumstances) who challenge us the most. Yup, the practice is to open the doors to the most tender and loving place inside. Once the guests arrive, we make them comfortable, and then proceed with blessing them with happiness and peace. It’s not an easy practice, but it can shift the entire energetic relationship we have with life.

Therein lies my answer, I suppose. I can write about Bink’s thorny memories, or my own. I can poem about anything, include anyone. I just need to be willing to accept reactions, and remember to bless each person and circumstance, present or past, who have crossed paths with Bink, or with me. Thank them for the lessons and wish them an honest well-being. And, just maybe, Bink’s opened files, her very vocal recitations and hastily penned recounting of less than pleasant things, can serve as reminder that love can indeed be greater than fear, and the choice to forgive is the very best gift we could give ourselves and each other.

If you’ve read all the way to the end of this run-on piece, terrific! And if you haven’t, that’s fine, too. I’ve just written about not being able to write about Bink. Surely, that counts as writing about her, which means it’s time for tea.

“I write to discover what I know.”
–Flannery O’Connor

PS: Bless you. I forgive you. Be well.

Pentimento

pentimento
noun
pen·ti·men·to | \ ˌpen-tə-ˈmen-(ˌ)tō
Definition of pentimento
A reappearance in a painting of an original drawn or painted element which was eventually painted over by the artist

The canvas: my face in the mirror, fifty eight years familiar with this world.

Five or six, roaming like the free-range child I was, I caught the sharp end of a rock that soared from an older brother’s slingshot. He didn’t mean it, don’t think he aimed at me, but the impact was hard, and the flesh below my left eye tore, and years later my mother said,” We probably should have gotten you stitches there.”

It’s faint now, a sleeping crescent moon at the top of my cheek. Grace that it didn’t hit my eye, methinks. Pure grace.

Pentimento.

Seven years old, my neighborhood friend
Chrissy rammed a big branch end into the tender space between my nose and my lips, that little grooved path that caps my cupid’s bow.

I’ve since learned its name is philtrum, and no hard feelings, but the game we were playing tattooed a constellation of broken blood vessels across my upper lip, and dotting towards the tip of my nose.

Pentimento.

At twenty nine I had some of that lasered away. Safe for the pale philtrum, not so for the tender lip herself, and so I carry the permanent memory of that day as some big red blotches across my lip. Lipstick never covers it completely.

Pentimento.

Teenaged and beyond, the blackheads landed on my nose and built whole neighborhoods there, and some pimple friends moved in to join them. An anxious one I was, and I discovered the simultaneous relief and delight of squeezing all those things.

So many years later, I can find a few little craters, and small dark lines that seem to drag one pore into another. Not enough so you’d notice, but my nose reminds me I lived through those times. And survived.

Pentimento.

At forty five the crinkling started. The skin at the outer corners of my eyes led the way.

Vertical lines across my forehead came a little later. Layering and playing with texture and color, nature gently added grooves. There are smile lines, and the little cupped channels below my eyes that trace the outlines of darker circles there.

Pentimento.

Sometime between then and fifty, one side of my mouth shifted downwards. It has the oddest effect, like half of each lip is larger, and the drooping side disappears into itself. Sometimes, I paint on lipliner to even it all out.

Pentimento.

Around fifty I began to notice that the skin was slowing way down. Once pressed and imprinted with pillow or a hand propping chin or cheek, she wasn’t so quick to plump back into her former texture and shape. Sometimes I carry the pillow lines until lunch, and I’m an early riser.

Pentimento.

The eyebrows have thinned. Some come in white, and there is a vacant patch in the thickest part of the right one. Sometimes, I pencil in some dark to seed that bare spot. Often, I don’t. The white hairs? I usually thank them for visiting before plucking them away.

Pentimento.

There are some random dark splotches over the cheeks, above the lip.. They call them age spots, I call them places of interest. I don’t cover these, though I wonder, sometimes, how many more will arrive, and if I’ll care.

Pentimento.

Face as canvas, and the mirror shows me the privilege of a longer life than many are given. On close inspection I find layer upon layer of sad and happy, hurt and scared, content and growing wiser. I find hope and despair, and lots of letting go, and a glaze of peace on top of it all.

Inch by Inch

Dear small band of loyal readers,

I’m pleased to share that my poem, Reset, has placed second in the Light of the Stars poetry contest sponsored by Lone Stars magazine, and appears in the Spring 2019 issue. Printed literary journals are becoming less common. More and more of them publish exclusively online, which is, of course, much less expensive. Lone Stars is a paper poetry journal, published in Texas thrice yearly as an offshoot of another paper journal called Conceit, which publishes monthly.  Neither of those has an website, which is why it was an especially nice surprise to receive a check in the mail for my second place win! A modest check, to be sure, but I can count on one hand the number of times I’ve been paid for a poem.  Publishing poetry is a many splendored thing, but financial gain is not usually recognized among the glories.

A nice boost for a dreary Monday morning!

 

With gratitude to you for reading,

Melinda

 

 

 

 

To Sleep, Perchance to Wake and See the Stars

Bink does not sleep solidly through the night, ever. When she was younger it was especially challenging, because she’d wake up and need me to be right there with her, and she’d often be up for hours. Sometimes, after waking at 1 or 2 am, she’d stay up the rest of the night and all through the next day. I was really tired so much of the time. Even so, there was a certain kind of mystery and grace in every aspect of my mothering journey with Bink. Still is.

Years ago I wrote this poem about the night waking. I submitted it to a few journals, and received the customary rejections that are familiar to all writers, maybe especially poets. I decided to try once more to find this poem a home. And, yay! it has just been published in the online literary journal Vitamin ZZZ. The whole journal is quite beautiful and I hope you’ll check it out. You can see it by clicking here. 

The poem:

Night Graces

Each sleep cycle you wake happy, chirping
psalm-songs into the darkness, small
warm circles of air rising from your
curled body,

and you tumble toward my bed,
proclaim morning
whether it is midnight or three or,
more thankfully, five, and I

surface from moondreams
and embrace you,
little Talitha of Ursa Major,
Gemma of Corona Borealis,
insistent beacon,
nudging my fatigue aside so
this perfect view

of the stars,
those glorious jewels of the night,

reveals itself
as the gift it is

and I,
your student, humbly bring
a glass of water.

 

–Melinda Coppola

Daisy Bell

I’m showing my age, and proudly, when I ask this—do you remember the sweet old song called Daisy Bell?

“Daisy, Daisy, tell me your answer, do/ I’m half crazy all for the love of you…”

Those lyrics and that tune lodged itself in my memory when I was nine or ten years old. I can clearly visualize my Aunt Gloria—a professional singer in her day—leaning over the metal cage in my living room and singing that song to Daisy, my little blond guinea pig.

I’ve always loved the simple flower with the unassuming face and the heavy Latin name of Bellis Perennis.  A recent prompt about flowers in a writing group brought forth this little poem:

DAISY

I invited a Daisy to sit with me
under the shadow of a splendid green tree.

The flower politely declined my invite
to rest and converse in the cool filtered light.

Shade, she said, is not my friend.
I’ll lose my petals, my stem will bend.

Give me the sun on my upturned face
and I’ll blossom and multiply all over the place.

Daisy, said I, it’s clearly true
you are my favorite, my favorite is you.

No deception, no thorns, could possibly hide
in your bright yellow head, or your petals so wide

Your beauty is honest, and simple, and true
as flowers go, Daisy, my favorite is you.

 

–Melinda

 

 

There’s no write time

 

BLOCKED

This morning the mirror
caught my eyes,
and I locked gaze
with the creature staring 
back at me, wondering, 
as I sometimes do,
what would happen
if I opted not to claim her.

If I chose a different identity
would the mirror recognize 
my sovereignty
or would it keep reflecting back
this worn face,
these lips closed
tight against all the words
knocking up against 
my clenched teeth,

the half formed stories,
shards of poems 
pushing hard
to get out

as living things do
when imprisoned.

Instinct favors survival.

It’s a wonder we write at all,
any of us,
with the hundred 
duties and the 
thousand doubts
almost conspiring against
our hands, 
which, 
reaching for a pen,

find a text, 
a child’s needs,
three missed calls, 
a basket of laundry,
a long to-do list
instead.

 

–Melinda Coppola

The art that blesses my listening hands

 

 

 

 

 

 

 

Making Art with Beach Stones

My home hums with them–—
the smooth and rough,
pale and dark,
striped, speckled,
some with lines,
or bits of mica
mesmerizing the light.

They number
in the thousands by now,
populating table
and bins and buckets,
lining mantels and
perched on shelves,
all holding the sea,

having chosen to be plucked,
over years,
from their temporary,
sandy homes on beaches,
Massachusetts mostly,
with a Rhode Island minority,
a Florida few.

They called to me as I strolled,
or else I spied them first—
glimmering with sea water

having just rolled in
with latest tide,

or perhaps half buried
among their brethren,
co-habitating peacefully
in their transient villages

along a shore dotted
with shells broken and whole;
scallop and clam, oyster
and the thin,
pale yellow jingle shells,
the occasional smooth sea glass,

strewn with the crunchy brown or
slippery green salty seaweeds,

among seagull leavings
and the remnants
of humans at rest and at play—

and I asked the stones permission,
waited for yes,
cradled them
with my work worn hands,

guided them
into my cloth bag or
scratched bucket.

My home hums, perhaps
three thousand stones,
alive
as you or I,
just vibrating slower,

and they answer
as I approach, as I
hold, inquire
with loving intention,

as I invite them into art forms,
cairns,
ancient and new,
stacks and lean-tos,
bridges and
little families
all supporting one another.

We try one side, then another,
collaborate to find
balance

and then,
then we pause
breathe
feel,
and I wait for their final yes
or not this one, not now.

Together we make magic,
my humble hands
aligning each stone,

knowing
with all my six senses,
when I hear

yes. Right there.
We are perfection now.

 

-Melinda Coppola

 

 

 

 

 

Mothering Outside the Lines

The Bus Stop Moms

From my morning window
I would watch
as they huddled casually,
tossed light conversation
back and forth,

an occasional
eye towards their kids
who played and laughed
together, finding sticks,
tracing shapes and letters
in the dirt.

After the big
yellow bus swallowed
their chattering children,
the moms would often stay
and talk a bit
in the easy way
women do
when they have things-in-common,

like an intact marriage,
and Pilates class,
and typically developing children.

I’d watch them wave to each other
as they’d part,
good-bye, see you later,
the bus stop moms turning
each towards her own
well manicured lawn,
highlighted hair shining in the sun.

I’d guess at market lists,
soccer schedules,
Girl Scouts tomorrow,
Johnny needs new sneakers,
such busy mommy thoughts
dancing in their heads.

From behind a fraying lace curtain
I’d imagine being one of them.
How carefree they must feel,
sending their kids off
without concern
for their obsessions,
compulsions, anxiety,
lack of toileting skills,
inability to communicate.

Without gnawing worry
that today might be the day
she bites the teacher again,
(who tells her to wait for the bathroom),

or rips at her clothes at recess,
(because it’s just too loud),
or has a meltdown during snack time,
(because the juice was the wrong color,
and nobody noticed signs
of the impending storm).

Almost two decades later,
the bus stop moms
are all grown up,
and so am I.

We still live in parallel universes,
they in their emptying nests, kids
off to college,
getting engaged,
traveling the world,

and I rarely compare
my apple to their oranges
these days,
having found the appetite
for what I have been served,

which is another way of saying
we can learn to love
what we’ve been given.

I’m busy slow dancing
a day, a week at a time,
having found my own
special mom circles,

and a different carefree
that doesn’t demand
grades, degrees, weddings,

having found a partner who
loves being her dad.

Different house,
the lawn still unkempt,
the curtain perpetually
in need of replacement,

these days I only peek out
to see the bunnies
so at home
in our untended landscape,
as am I,
as am I.

 

-Melinda Coppola

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I Write You, I Write You Not

I was thinking about not-writing, which is a special collection of behaviors called Really Uncomfortable Avoidance To Silence The Singing Muse, or RUTS for short. It is practiced by word gatherers of all kinds; novelists, playwrights, essayists, poets. Correction: actually, it’s the creative writers who engage in this behavior. Journalists and reporters have such a direct relationship with the words they use. Their cupboards are all organized and clean, with appropriate words just sitting there obediently on the shelves, waiting to be pulled down and used.

I was earnestly practicing not-writing behaviors, and when Poetry came around with her seductions, wearing her best evening wear and very unsensible shoes, I rebuffed her. “ Come out to play,” she purred, and I could smell her flowery breath, feel the temperature of her neck, her hair. “No,” I replied, “I’m much too busy doing laundry and running errands, answering emails and cleaning the tiny spots on the long striped carpet in front of the kitchen sink.” RUTS type stuff. “But you know this is The Way for you,” she said, “The path through the haze and towards the place where intentions meet commitment, where water flows clean and equanimity rides in on cool breezes to clarify the mental muck.”

“ Poetry,” I sighed, “ I am busy worrying about my daughter, who has had a very rough four months. I am researching novel ways to help her, calling and Internetting and looking at books. She is my heart, and when her rhythm is off, I forget how to dance.”

Poetry leaned against the wall and just watched, listened. Her benign expression irked me. My defenses threw another brick or two onto the wall I imagined between us.

“ Besides, Po, I’ve begun my summer Yoga and Yogabilities™ classes, the latter in a new space on a new day. This takes planning, you know. I don’t have huge chunks of time lying around just waiting to be poemed upon.” I pushed out the last few lines in a gently accusatory manner. Poetry seemed impervious, letting my words bounce off her shimmery gown, which I then noticed was purple. My words got confused right out of their sentences. Some fell to the floor a few feet away from her, other made for the window and smacked into the glass, hard. Stunned, they joined their sad sentence family on the floor.

Poetry shifted a little and kicked off her fantastical shoes, which were just the sort of thing I never wear. She wiggled her toes and arched her back away from the wall and did a few gentle half-neck rolls. (I taught her to do those in lieu of the full rolls, which are simply not good for most people.) Her eyes met mine, and she waited. I knew this game. She’d stand there, or sometimes sit, eyes full of compassionate, irrefutable truth. And she’d wait. And I’d avoid her. And she’d wait some more.

Eventually, if I practice my RUTS hard enough, she leaves. It used to upset me greatly when she finally spun on her heels and left, often slamming the door behind her. (Poetry can be so damn dramatic.) I used to worry that she’d never return, she’d give up on me for good. I know better now. My blood type is Poet, and I can only deny it to a point before it becomes, well, unhealthy for my soul.

So, I was thinking about not-writing, which I’ve been thinking about a lot lately. There have been Very Good Reasons. (See above.) I was sitting and making To Do lists, doing my RUTS exercises and creatively coming up with Even More Reasons.

Poetry came, she spoke, she went silent and waited. This time, she refused to leave. She sat in the corner in her purple, sparkly gown and watched me not-write. She followed me from room to room and even out to the car. She lay down in the backseat as I drove around, took Bink here and there and filled the gas tank. I ignored her, knowing nobody else in my immediate sphere can see her. At one point, after I dropped Bink at her day program, I turned around and addressed her as she lounged across the back seat, seemingly oblivious to the bags of Savers donations and Yoga straps and Bink’s soft pink car blanket. . “Po, don’t you have somewhere else you need to be?”

“Nope,” she said.“ I’ve cleared my calendar. I’m not going to leave until you pick up a pen and write something that isn’t a To Do list or a birthday card. I’m going to follow you like your shadow until you start a poem and nurture it ‘til its natural end. Until you let the words that need to be joined, come together and fly freely through the Earth’s atmosphere. I know you know the world needs poetry more than ever right now and I can’t do it on my own. Rejoin the brave ones who are making their art and writing their songs and poems and reminding people that there is more, much more than Fox and CNN and Facebook and endless division, anger, and greed.”

She said all that. I don’t think I’ve ever heard Poetry say so much at one time. You gotta respect that kind of speech, so full of passion and care and certainty.

I consider my ass gently kicked.

 

-Melinda Coppola